Johnson on Shakespeare: Essays and NotesH. Frowde, 1908 - 206 ページ |
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13 ページ
... action quickened or retarded . To bring a lover , a lady and a rival into the fable ; to entangle them in contradictory obligations , perplex them with oppo- sitions of interest , and harrass them with violence of desires inconsistent ...
... action quickened or retarded . To bring a lover , a lady and a rival into the fable ; to entangle them in contradictory obligations , perplex them with oppo- sitions of interest , and harrass them with violence of desires inconsistent ...
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... action which ended happily to the principal persons , however serious or distressful through its intermediate incidents , in their opinion , constituted a comedy . This idea of a comedy continued long amongst us ; and plays were written ...
... action which ended happily to the principal persons , however serious or distressful through its intermediate incidents , in their opinion , constituted a comedy . This idea of a comedy continued long amongst us ; and plays were written ...
19 ページ
... action . His tragedy seems to be skill , his comedy to be instinct . The force of his comick scenes has suffered little diminution from the changes made by a century and a half , in manners or in words . As his personages act upon ...
... action . His tragedy seems to be skill , his comedy to be instinct . The force of his comick scenes has suffered little diminution from the changes made by a century and a half , in manners or in words . As his personages act upon ...
20 ページ
... actions improbable ; as the earth upon the whole is spherical , though its surface is varied with protuberances and cavities . Shakespeare with his excellencies has likewise faults , and faults sufficient to obscure and overwhelm any ...
... actions improbable ; as the earth upon the whole is spherical , though its surface is varied with protuberances and cavities . Shakespeare with his excellencies has likewise faults , and faults sufficient to obscure and overwhelm any ...
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... action ; it should therefore always be rapid , and enlivened by frequent interruption . Shake- speare found it an encumbrance , and instead of lighten- ing it by brevity , endeavoured to recommend it by 22 SHAKESPEARE 22.
... action ; it should therefore always be rapid , and enlivened by frequent interruption . Shake- speare found it an encumbrance , and instead of lighten- ing it by brevity , endeavoured to recommend it by 22 SHAKESPEARE 22.
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action allusions ancient Atalanta audience authour balves beauty Boswell Caliban censure character comedy comick common conjecture considered copies corrupt criticism criticks delight dialogue diction dignity diligence discover doth drama dramatick easily edition editor elegance emendation endeavoured English Euripides excellence exhibited expression Falstaff faults foll genius Guy of Warwick Hamlet Henry VI honour HORACE HART human imagination imitation incidents Johnson KING HENRY knowledge labour language learned Macbeth meaning merriment mind nature never notes numbers obscure observed opinion Othello passages passions perform perhaps Plautus play pleasure poet Pope praise prince produce publick reader reason remarks Richard ridicule says SCENE iv SCENE viii seems sense sentiment Shakespeare Shakespeare's editors shew sometimes speech stage story sufficient suppose Tatler testimony of equal Theobald things thou thought tion tragedy truth virtue Voltaire Warburton William Shakespeare words writers
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11 ページ - Nothing can please many, and please long, but just representations of general nature. Particular manners can be known to few, and therefore few only can judge how nearly they are copied. The irregular combinations of fanciful invention may delight awhile, by that novelty of which the common satiety of life sends us all in quest; but the pleasures of sudden wonder are soon exhausted, and the mind can only repose on the stability of truth.
28 ページ - If there be any fallacy, it is not that we fancy the players, but that we fancy ourselves, unhappy for a moment ; but we rather lament the possibility than suppose the presence of misery, as a mother weeps over her babe when she remembers that death may take it from her. The delight of tragedy proceeds from our consciousness of fiction; if we thought murders and treasons real they would please no more.
14 ページ - This therefore is the praise of Shakespeare, that his drama is the mirror of life ; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language ; by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
15 ページ - Shakespeare's plays are not in the rigorous and critical sense either tragedies or comedies, but compositions of a distinct kind; exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination ; and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveller is hasting to his wine, and the mourner burying his friend...
62 ページ - To begin, then, with Shakespeare. He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of Nature were still present to him, and he drew them, not laboriously, but luckily; when he describes any thing, you more than see it, you feel it too.
13 ページ - The theatre, when it is under any other direction, is peopled by such characters as were never seen, conversing in a language which was never heard, upon topics which will never arise in the commerce of mankind. But the dialogue of this author is often so evidently determined by the incident which produces it, and is pursued with so much ease and simplicity that it seems scarcely to claim the merit of fiction, but to have been gleaned by diligent selection out of common conversation, and common occurrences.
11 ページ - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life.
62 ページ - ... you more than see it, you feel it too. Those who accuse him to have wanted learning give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read nature; he looked inwards and found her there. I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid, his comic wit degenerating into clenches, his serious swelling into bombast But he is always great when some great...
19 ページ - The force of his comic scenes has suffered little diminution from the changes made by a century and a half, in manners or in words. As his personages act upon principles arising from genuine passion, very little modified by particular forms, their pleasures and vexations are communicable to all times and to all places ; they are natural, and therefore durable...
171 ページ - All things are hush'd as Nature's self lay dead, " The mountains seem to nod their drowsy head; " The little birds in dreams their songs repeat, " And sleeping flow'rs beneath the night dews sweat.