Johnson on Shakespeare: Essays and NotesH. Frowde, 1908 - 206 ページ |
この書籍内から
検索結果1-5 / 26
9 ページ
... eye surveys the sun through artificial opacity . The great contention of criticism is to find the faults of the moderns , and the beauties of the ancients . While an authour is yet living we estimate his powers by his worst performance ...
... eye surveys the sun through artificial opacity . The great contention of criticism is to find the faults of the moderns , and the beauties of the ancients . While an authour is yet living we estimate his powers by his worst performance ...
33 ページ
... eye to the ear , but returns , as it declines , from the ear to the eye . Those to whom our authour's labours were exhibited had more skill in pomps or processions than in poetical language , and perhaps wanted some visible and ...
... eye to the ear , but returns , as it declines , from the ear to the eye . Those to whom our authour's labours were exhibited had more skill in pomps or processions than in poetical language , and perhaps wanted some visible and ...
34 ページ
... eye with awful pomp , and gratifying the mind with endless diversity . Other poets display cabinets of precious rarities , minutely finished , wrought into shape , and polished into brightness . Shakespeare opens a mine which contains ...
... eye with awful pomp , and gratifying the mind with endless diversity . Other poets display cabinets of precious rarities , minutely finished , wrought into shape , and polished into brightness . Shakespeare opens a mine which contains ...
39 ページ
... eye , and their sentiments acknowledged by every breast . Those whom their fame invites to the same studies , copy ... eyes ; he gives the image which he receives , not weakened or distorted by the intervention of any other mind ; the ...
... eye , and their sentiments acknowledged by every breast . Those whom their fame invites to the same studies , copy ... eyes ; he gives the image which he receives , not weakened or distorted by the intervention of any other mind ; the ...
40 ページ
... , much is likewise given by custom and venera- tion . We fix our eyes upon his graces , and turn them from his deformities , and endure in him what we should in another loath or despise . If we endured 40 SHAKESPEARE.
... , much is likewise given by custom and venera- tion . We fix our eyes upon his graces , and turn them from his deformities , and endure in him what we should in another loath or despise . If we endured 40 SHAKESPEARE.
他の版 - すべて表示
多く使われている語句
action allusions ancient Atalanta audience authour balves beauty Boswell Caliban censure character comedy comick common conjecture considered copies corrupt criticism criticks delight dialogue diction dignity diligence discover doth drama dramatick easily edition editor elegance emendation endeavoured English Euripides excellence exhibited expression Falstaff faults foll genius Guy of Warwick Hamlet Henry VI honour HORACE HART human imagination imitation incidents Johnson KING HENRY knowledge labour language learned Macbeth meaning merriment mind nature never notes numbers obscure observed opinion Othello passages passions perform perhaps Plautus play pleasure poet Pope praise prince produce publick reader reason remarks Richard ridicule says SCENE iv SCENE viii seems sense sentiment Shakespeare Shakespeare's editors shew sometimes speech stage story sufficient suppose Tatler testimony of equal Theobald things thou thought tion tragedy truth virtue Voltaire Warburton William Shakespeare words writers
人気のある引用
11 ページ - Nothing can please many, and please long, but just representations of general nature. Particular manners can be known to few, and therefore few only can judge how nearly they are copied. The irregular combinations of fanciful invention may delight awhile, by that novelty of which the common satiety of life sends us all in quest; but the pleasures of sudden wonder are soon exhausted, and the mind can only repose on the stability of truth.
28 ページ - If there be any fallacy, it is not that we fancy the players, but that we fancy ourselves, unhappy for a moment ; but we rather lament the possibility than suppose the presence of misery, as a mother weeps over her babe when she remembers that death may take it from her. The delight of tragedy proceeds from our consciousness of fiction; if we thought murders and treasons real they would please no more.
14 ページ - This therefore is the praise of Shakespeare, that his drama is the mirror of life ; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language ; by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
15 ページ - Shakespeare's plays are not in the rigorous and critical sense either tragedies or comedies, but compositions of a distinct kind; exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination ; and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveller is hasting to his wine, and the mourner burying his friend...
62 ページ - To begin, then, with Shakespeare. He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of Nature were still present to him, and he drew them, not laboriously, but luckily; when he describes any thing, you more than see it, you feel it too.
13 ページ - The theatre, when it is under any other direction, is peopled by such characters as were never seen, conversing in a language which was never heard, upon topics which will never arise in the commerce of mankind. But the dialogue of this author is often so evidently determined by the incident which produces it, and is pursued with so much ease and simplicity that it seems scarcely to claim the merit of fiction, but to have been gleaned by diligent selection out of common conversation, and common occurrences.
11 ページ - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life.
62 ページ - ... you more than see it, you feel it too. Those who accuse him to have wanted learning give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read nature; he looked inwards and found her there. I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid, his comic wit degenerating into clenches, his serious swelling into bombast But he is always great when some great...
19 ページ - The force of his comic scenes has suffered little diminution from the changes made by a century and a half, in manners or in words. As his personages act upon principles arising from genuine passion, very little modified by particular forms, their pleasures and vexations are communicable to all times and to all places ; they are natural, and therefore durable...
171 ページ - All things are hush'd as Nature's self lay dead, " The mountains seem to nod their drowsy head; " The little birds in dreams their songs repeat, " And sleeping flow'rs beneath the night dews sweat.