Johnson on Shakespeare: Essays and NotesH. Frowde, 1908 - 206 ページ |
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... tion than himself seemed to be , contrived to entangle him by a wager , or some other pecuniary engagement , to perform his task within a certain time . ' In 1764 and 1765 , according to Boswell's account , he was so busily engaged with ...
... tion than himself seemed to be , contrived to entangle him by a wager , or some other pecuniary engagement , to perform his task within a certain time . ' In 1764 and 1765 , according to Boswell's account , he was so busily engaged with ...
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... tion . Perhaps he remembered this early experience when he wrote , in his notes on Macbeth- ' He that peruses Shakespeare looks round alarmed , and starts to find himself alone . ' In his mature age he could not bear to read the closing ...
... tion . Perhaps he remembered this early experience when he wrote , in his notes on Macbeth- ' He that peruses Shakespeare looks round alarmed , and starts to find himself alone . ' In his mature age he could not bear to read the closing ...
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... tion of material objects , without any intermixture of moral notions , which produces such an effect . ' A few days later , in conversation with Boswell , he again talked of the passage in Congreve , and said , ' Shake- speare never has ...
... tion of material objects , without any intermixture of moral notions , which produces such an effect . ' A few days later , in conversation with Boswell , he again talked of the passage in Congreve , and said , ' Shake- speare never has ...
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... any single detail or remark of his recording was inaccurately or carelessly set down . His self - abnega- tion was complete : where he permits himself to appear it is only that he may exhibit his subject to INTRODUCTION xxix.
... any single detail or remark of his recording was inaccurately or carelessly set down . His self - abnega- tion was complete : where he permits himself to appear it is only that he may exhibit his subject to INTRODUCTION xxix.
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... tion from the ignorance and negligence of the printers , as every man who knows the state of the press in that age will readily conceive . It is not easy for invention to bring together so many causes concurring to vitiate the text . No ...
... tion from the ignorance and negligence of the printers , as every man who knows the state of the press in that age will readily conceive . It is not easy for invention to bring together so many causes concurring to vitiate the text . No ...
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action allusions ancient Atalanta audience authour balves beauty Boswell Caliban censure character comedy comick common conjecture considered copies corrupt criticism criticks delight dialogue diction dignity diligence discover doth drama dramatick easily edition editor elegance emendation endeavoured English Euripides excellence exhibited expression Falstaff faults foll genius Guy of Warwick Hamlet Henry VI honour HORACE HART human imagination imitation incidents Johnson KING HENRY knowledge labour language learned Macbeth meaning merriment mind nature never notes numbers obscure observed opinion Othello passages passions perform perhaps Plautus play pleasure poet Pope praise prince produce publick reader reason remarks Richard ridicule says SCENE iv SCENE viii seems sense sentiment Shakespeare Shakespeare's editors shew sometimes speech stage story sufficient suppose Tatler testimony of equal Theobald things thou thought tion tragedy truth virtue Voltaire Warburton William Shakespeare words writers
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11 ページ - Nothing can please many, and please long, but just representations of general nature. Particular manners can be known to few, and therefore few only can judge how nearly they are copied. The irregular combinations of fanciful invention may delight awhile, by that novelty of which the common satiety of life sends us all in quest; but the pleasures of sudden wonder are soon exhausted, and the mind can only repose on the stability of truth.
28 ページ - If there be any fallacy, it is not that we fancy the players, but that we fancy ourselves, unhappy for a moment ; but we rather lament the possibility than suppose the presence of misery, as a mother weeps over her babe when she remembers that death may take it from her. The delight of tragedy proceeds from our consciousness of fiction; if we thought murders and treasons real they would please no more.
14 ページ - This therefore is the praise of Shakespeare, that his drama is the mirror of life ; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language ; by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
15 ページ - Shakespeare's plays are not in the rigorous and critical sense either tragedies or comedies, but compositions of a distinct kind; exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination ; and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveller is hasting to his wine, and the mourner burying his friend...
62 ページ - To begin, then, with Shakespeare. He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of Nature were still present to him, and he drew them, not laboriously, but luckily; when he describes any thing, you more than see it, you feel it too.
13 ページ - The theatre, when it is under any other direction, is peopled by such characters as were never seen, conversing in a language which was never heard, upon topics which will never arise in the commerce of mankind. But the dialogue of this author is often so evidently determined by the incident which produces it, and is pursued with so much ease and simplicity that it seems scarcely to claim the merit of fiction, but to have been gleaned by diligent selection out of common conversation, and common occurrences.
11 ページ - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life.
62 ページ - ... you more than see it, you feel it too. Those who accuse him to have wanted learning give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read nature; he looked inwards and found her there. I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid, his comic wit degenerating into clenches, his serious swelling into bombast But he is always great when some great...
19 ページ - The force of his comic scenes has suffered little diminution from the changes made by a century and a half, in manners or in words. As his personages act upon principles arising from genuine passion, very little modified by particular forms, their pleasures and vexations are communicable to all times and to all places ; they are natural, and therefore durable...
171 ページ - All things are hush'd as Nature's self lay dead, " The mountains seem to nod their drowsy head; " The little birds in dreams their songs repeat, " And sleeping flow'rs beneath the night dews sweat.