Music History Super ReviewResearch & Education Assoc. |
目次
The Origins of Music | 3 |
The Egyptians Assyrians and Babylonians Hebrews Arabian Indian Chinese | 15 |
The Greeks | 38 |
Rome and The Dark Ages | 69 |
Scales and Notes | 87 |
The Less Dark Ages | 119 |
Dunstable Dufay Des Pres | 144 |
The Golden Age | 158 |
Song and FolkSong | 200 |
The Secular Century | 217 |
The Eighteenth Century | 233 |
The Viennese Masters | 246 |
The Contemporaries of Beethoven and the Development of Opera in Germany Italy and France | 265 |
The PostBeethoven Period | 281 |
Nationalism Modern Schools | 303 |
TwelveTone Music and Other Innovations | 355 |
多く使われている語句
American ancient artistic aulos B-flat Bach became Beethoven began Brahms called chief Chinese choral church clef composer composition Concerto contemporaries developed diatonic diatonic scale discant Dorian early Egyptian England English enharmonic Europe existence faburden fact Fidelio folk-music folk-song French German Gluck Greek Handel harmony harpsichord Haydn influence instrument invention Italian Italy Johann Josquin kithara known later Liszt Luca Marenzio lute lyre madrigals master melody ment Meyerbeer Mixolydian modern modes motet Mozart Music History musicians neumes never notation notes octave opera orchestral organ organist organum original overture Palestrina pianoforte pipe pitch Plagal plain-song PLATE played player poems probably produced pupil Purcell Quartet rhythm sackbuts scale Schumann secular semitone Shawms singers singing sixteenth century Sonata songs sound strings style success Sumer is icumen sung Symphony tetrachord tion trumpets tune violin vocal voice Wagner words writing wrote