Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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64 ページ
... Elizabethan times the " car- riage trade " sat in the galleries or on the stage itself , where they were not troubled by the perpetual " masking " which must often have hidden important actors when the whole cast was ranged around a ...
... Elizabethan times the " car- riage trade " sat in the galleries or on the stage itself , where they were not troubled by the perpetual " masking " which must often have hidden important actors when the whole cast was ranged around a ...
78 ページ
... Elizabethan audience was , as we have seen , taken into much closer partnership with both dramatist and actor than is its modern successor . It had , further , a hugely voracious appetite for a form of entertainment which was still ...
... Elizabethan audience was , as we have seen , taken into much closer partnership with both dramatist and actor than is its modern successor . It had , further , a hugely voracious appetite for a form of entertainment which was still ...
317 ページ
... Elizabethan , 51 ; relating to modern stage , 63-65 Stage , modern , proscenium vs. arena , 65 , 66 , 68 , 75 Stage directions , Elizabethan , 53-57 , 131 , 268 " Stage keepers , " 59 Stage manager ( see " Prompter " ) Stage settings ...
... Elizabethan , 51 ; relating to modern stage , 63-65 Stage , modern , proscenium vs. arena , 65 , 66 , 68 , 75 Stage directions , Elizabethan , 53-57 , 131 , 268 " Stage keepers , " 59 Stage manager ( see " Prompter " ) Stage settings ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote