Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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215 ページ
... LEAR two impressions are left on my mind ... KING LEAR seems to me Shakespeare's greatest achievement , but it seems to me not his best play . And I find that I tend to consider it from two rather different points of view . When I ...
... LEAR two impressions are left on my mind ... KING LEAR seems to me Shakespeare's greatest achievement , but it seems to me not his best play . And I find that I tend to consider it from two rather different points of view . When I ...
216 ページ
... LEAR seems to me baffling from the very begining . There is about the first scene , says Mr. Barker , “ a certain megalithic grandeur , Lear dominating it , that we associate with Greek Tragedy . Its probabilities are neither here nor ...
... LEAR seems to me baffling from the very begining . There is about the first scene , says Mr. Barker , “ a certain megalithic grandeur , Lear dominating it , that we associate with Greek Tragedy . Its probabilities are neither here nor ...
218 ページ
... Lear's " cataracts and hurricanes , " his " sulphurous and thought - executing fires . " They succeed only in drowning out the actor's voice without arousing either pity or terror . Shake- speare must surely have relied on the actor to ...
... Lear's " cataracts and hurricanes , " his " sulphurous and thought - executing fires . " They succeed only in drowning out the actor's voice without arousing either pity or terror . Shake- speare must surely have relied on the actor to ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote