Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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122 ページ
... Shakespeare . On the other hand , MEASURE FOR MEASURE , a corrupt text but Shakespearean to its very fiber , has been split up into the most exact fragments of " Shakespeare's , " " partly based on Shakespeare's original , " " added by ...
... Shakespeare . On the other hand , MEASURE FOR MEASURE , a corrupt text but Shakespearean to its very fiber , has been split up into the most exact fragments of " Shakespeare's , " " partly based on Shakespeare's original , " " added by ...
298 ページ
... Shakespeare in the United States ? The answer to this is a categorical negative . I could adduce a great deal of personal evidence to prove that the response to Shakespeare is as eager and alive as ever . I have experienced it myself ...
... Shakespeare in the United States ? The answer to this is a categorical negative . I could adduce a great deal of personal evidence to prove that the response to Shakespeare is as eager and alive as ever . I have experienced it myself ...
316 ページ
... Shakespeare's , 197 Prospero , 54 , 92 , 281-285 Proteus , 104 , 144 " Provost , " the , 251 Puck , 18 , 155 , 156 Puritans , 35 , 123 Pyramus , 157 Quartos , 25 , 27 , 28 , 29 , 44 , 53 , 54 , 72 , 113-115 , 117 , 118 , 120 , 123 , 142 ...
... Shakespeare's , 197 Prospero , 54 , 92 , 281-285 Proteus , 104 , 144 " Provost , " the , 251 Puck , 18 , 155 , 156 Puritans , 35 , 123 Pyramus , 157 Quartos , 25 , 27 , 28 , 29 , 44 , 53 , 54 , 72 , 113-115 , 117 , 118 , 120 , 123 , 142 ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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多く使われている語句
accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote