Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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33 ページ
... beginning to apprehend another market and an- other audience . They turned their eyes to London City , grow- ing , prospering , teeming with a new life ; London the boom town ; a little town , as we look back at it from the top of the ...
... beginning to apprehend another market and an- other audience . They turned their eyes to London City , grow- ing , prospering , teeming with a new life ; London the boom town ; a little town , as we look back at it from the top of the ...
98 ページ
... beginning to feel his way toward a new device : the blending of the true soliloquy with the interwoven reactions of the other characters . Richard has a long series of exquisite cadenza speeches , but only the last , in the solitary ...
... beginning to feel his way toward a new device : the blending of the true soliloquy with the interwoven reactions of the other characters . Richard has a long series of exquisite cadenza speeches , but only the last , in the solitary ...
181 ページ
... beginning he seems to have a fever in his veins ; he grasps at the stronger wills of his mother and his illegitimate brother , Faulconbridge . He can rant with the best of Shake- speare's early reciting monarchs , but these tirades ...
... beginning he seems to have a fever in his veins ; he grasps at the stronger wills of his mother and his illegitimate brother , Faulconbridge . He can rant with the best of Shake- speare's early reciting monarchs , but these tirades ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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多く使われている語句
accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote