Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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53 ページ
... believe that the vaunted Elizabethan aptitude for join- ing wholeheartedly in a game of make - believe really required such intricacy as this . Authors ' stage directions as reproduced in the printed texts and even in extant manuscripts ...
... believe that the vaunted Elizabethan aptitude for join- ing wholeheartedly in a game of make - believe really required such intricacy as this . Authors ' stage directions as reproduced in the printed texts and even in extant manuscripts ...
124 ページ
... believe , in the automatic assump- tion that each and every one of these alterations must have been for the worse . From the standpoint of the current theater , we cannot , I think , accept that assumption without strong reservations ...
... believe , in the automatic assump- tion that each and every one of these alterations must have been for the worse . From the standpoint of the current theater , we cannot , I think , accept that assumption without strong reservations ...
233 ページ
Margaret Webster. as “ honest , honest Iago . " Believe that they do , says Shake speare , and imperiously at that . And we do believe it , so long as the actor does not interfere . We , too , accept Iago hook , line , and sinker . This ...
Margaret Webster. as “ honest , honest Iago . " Believe that they do , says Shake speare , and imperiously at that . And we do believe it , so long as the actor does not interfere . We , too , accept Iago hook , line , and sinker . This ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
著作権 | |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote