Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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... better in the audience's imagination than in our three - ply and paint . We shall do better still to let Lear raise the storm from the whirling tempest of his spirit and not drown him out with thunder sheets and " twelve - penny ...
... better in the audience's imagination than in our three - ply and paint . We shall do better still to let Lear raise the storm from the whirling tempest of his spirit and not drown him out with thunder sheets and " twelve - penny ...
139 ページ
... better , but not , I think , much better . Mark Van Doren classes it among the three " unfeeling " farces , the others being THE TAMING OF THE SHREW and THE MERRY WIVES OF WINDSOR . Its mistaken - identity theme has gone entirely out of ...
... better , but not , I think , much better . Mark Van Doren classes it among the three " unfeeling " farces , the others being THE TAMING OF THE SHREW and THE MERRY WIVES OF WINDSOR . Its mistaken - identity theme has gone entirely out of ...
156 ページ
... better , and the play will lose if he cannot establish their humanity . For the lovers , more clearly even than Theseus and Hippo- lyta , form the link between the honest , tangible , homespun craftsman's world , peopled by the so ...
... better , and the play will lose if he cannot establish their humanity . For the lovers , more clearly even than Theseus and Hippo- lyta , form the link between the honest , tangible , homespun craftsman's world , peopled by the so ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote