Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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109 ページ
... bring us very close indeed to the Globe Theatre of three hundred years ago . I do not mistrust actors , when their hearts and minds are engaged in their work . I do not accept as valid the commonly received idea that a star actor will ...
... bring us very close indeed to the Globe Theatre of three hundred years ago . I do not mistrust actors , when their hearts and minds are engaged in their work . I do not accept as valid the commonly received idea that a star actor will ...
182 ページ
... brings him to a tortured , writhing , ugly end : There is so hot a summer in my bosom , That all my bowels crumble up ... bring him . The play looks backward , with its high , heroic , overem- broidered verse ; with the verbose peerage ...
... brings him to a tortured , writhing , ugly end : There is so hot a summer in my bosom , That all my bowels crumble up ... bring him . The play looks backward , with its high , heroic , overem- broidered verse ; with the verbose peerage ...
291 ページ
... bring his standards into harmony with our own . The principles on which a director must base his approach to a Shakespearean play are , after all , no different from those which govern his approach to any other play . Methods will vary ...
... bring his standards into harmony with our own . The principles on which a director must base his approach to a Shakespearean play are , after all , no different from those which govern his approach to any other play . Methods will vary ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
著作権 | |
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多く使われている語句
accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote