Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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174 ページ
... characters , following a track of their own , sometimes threaten to overwhelm the play , unless they are kept very skillfully within its pattern . This will be a large part of our problem . Shakespeare must have known it . For he had ...
... characters , following a track of their own , sometimes threaten to overwhelm the play , unless they are kept very skillfully within its pattern . This will be a large part of our problem . Shakespeare must have known it . For he had ...
188 ページ
... characters " retire " to discuss one plan in pri- vate while another set discusses the other plan in full hearing . There are many instances , especially in the middle of the play , where one or more characters are left carelessly ...
... characters " retire " to discuss one plan in pri- vate while another set discusses the other plan in full hearing . There are many instances , especially in the middle of the play , where one or more characters are left carelessly ...
231 ページ
Margaret Webster. or he may present us with one or more characters who are larger than life - size . His mastery lies in compelling our ac- ceptance of the initial hypothesis and in keeping faith both with us and with his characters ...
Margaret Webster. or he may present us with one or more characters who are larger than life - size . His mastery lies in compelling our ac- ceptance of the initial hypothesis and in keeping faith both with us and with his characters ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote