Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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56 ページ
... comes a page ahead of time ; " all the swords ready , " several pages ahead . It was probably quite a job collecting all the scat- tered swords . " Harry Wilson and boy ready for song at ye arras " comes thirteen speeches ahead . The ...
... comes a page ahead of time ; " all the swords ready , " several pages ahead . It was probably quite a job collecting all the scat- tered swords . " Harry Wilson and boy ready for song at ye arras " comes thirteen speeches ahead . The ...
130 ページ
... come to my mother by and by . ( aside ) They fool me to the top of my bent . I will come by and by . Leave me , friends . I will , say so . [ here , we presume , " Exeunt all but Hamlet " ] " By and by " is easily said , Tis now the ...
... come to my mother by and by . ( aside ) They fool me to the top of my bent . I will come by and by . Leave me , friends . I will , say so . [ here , we presume , " Exeunt all but Hamlet " ] " By and by " is easily said , Tis now the ...
227 ページ
... come alive again and significance should flood back over the ashen , relentless path he is traveling . There is no ... comes the news of Duncan's approach . The raven himself is hoarse That croaks the fatal entrance of Duncan Under my ...
... come alive again and significance should flood back over the ashen , relentless path he is traveling . There is no ... comes the news of Duncan's approach . The raven himself is hoarse That croaks the fatal entrance of Duncan Under my ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
著作権 | |
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多く使われている語句
accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote