Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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8 ページ
... criticism to have been produced in our time . She knows Shakespeare as few scholars do , and writes of him in a way to make professional critics at once humble and envious . The source of her strength in directing or discussing his ...
... criticism to have been produced in our time . She knows Shakespeare as few scholars do , and writes of him in a way to make professional critics at once humble and envious . The source of her strength in directing or discussing his ...
224 ページ
... critics and depicted by actors in widely different and contradictory ways . Lady Macbeth has been described as a " fiend incarnate " or as a wife who dares all for love , a remorseless woman ridden by ambition , or a helpless dupe of ...
... critics and depicted by actors in widely different and contradictory ways . Lady Macbeth has been described as a " fiend incarnate " or as a wife who dares all for love , a remorseless woman ridden by ambition , or a helpless dupe of ...
231 ページ
... critics have tried to codify Shakespeare's tragic heroes , feels that we shall need “ that willing suspension of disbelief which constitutes poetic faith . " I would suggest that in the theater we do not even experience the alleged ...
... critics have tried to codify Shakespeare's tragic heroes , feels that we shall need “ that willing suspension of disbelief which constitutes poetic faith . " I would suggest that in the theater we do not even experience the alleged ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote