Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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29 ページ
... ears , unfortunately , are nothing like so good as they were . Today movies and television have trained our eyes to a high degree of critical expectation . But our ears they have coarsened and made lazy by the continuous ministration of ...
... ears , unfortunately , are nothing like so good as they were . Today movies and television have trained our eyes to a high degree of critical expectation . But our ears they have coarsened and made lazy by the continuous ministration of ...
87 ページ
... ear with horrid speech , Make mad the guilty and appal the free , Confound the ignorant , and amaze indeed The very faculty of eyes and ears . Vocally , Elizabethan actors were both fuller and faster than we are ; it is not simply the ...
... ear with horrid speech , Make mad the guilty and appal the free , Confound the ignorant , and amaze indeed The very faculty of eyes and ears . Vocally , Elizabethan actors were both fuller and faster than we are ; it is not simply the ...
129 ページ
... ear when spoken aloud and I feel sure was altered by Burbage for that reason . A clear example is to be found in the ... ears instinctively hear ' lords , ' and it's going to take them several seconds figuring that you can't mean that ...
... ear when spoken aloud and I feel sure was altered by Burbage for that reason . A clear example is to be found in the ... ears instinctively hear ' lords , ' and it's going to take them several seconds figuring that you can't mean that ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
著作権 | |
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多く使われている語句
accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote