Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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108 ページ
... follow out in its relation to every situation as it arises while he is on the stage . In scenes where an appreciable amount of audible comment is required from the lookers - on , I have even found it desirable to write the necessary ...
... follow out in its relation to every situation as it arises while he is on the stage . In scenes where an appreciable amount of audible comment is required from the lookers - on , I have even found it desirable to write the necessary ...
131 ページ
... follow . The Folio is more detailed , I think very defi- nitely the stage manager's reduction to actual theater terms of what Shakespeare had more vaguely asked for . Both are valu- able in their respective indications . Judging from ...
... follow . The Folio is more detailed , I think very defi- nitely the stage manager's reduction to actual theater terms of what Shakespeare had more vaguely asked for . Both are valu- able in their respective indications . Judging from ...
258 ページ
... follow Shakespeare fast enough if we attempt to pin him down to local geography ; but we can supply a background to his spirit , a wide sky to his wide empire . We can emphasize the contrast between Egypt and Rome , for it is important ...
... follow Shakespeare fast enough if we attempt to pin him down to local geography ; but we can supply a background to his spirit , a wide sky to his wide empire . We can emphasize the contrast between Egypt and Rome , for it is important ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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多く使われている語句
accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote