Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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63 ページ
... force and splendor , the tenderness and haunting echoes of the English language . He conjured up his visions with the dra- matic potency of words ; and he relied , for the rest , on the imagination of the spectators , on their ability ...
... force and splendor , the tenderness and haunting echoes of the English language . He conjured up his visions with the dra- matic potency of words ; and he relied , for the rest , on the imagination of the spectators , on their ability ...
127 ページ
... force " for " act and place . " Often he " misremembered , " as the children say , and probably at least as often he faithfully wrote down the lines the actors were , in fact , in the habit of speaking , whether or not these were " true ...
... force " for " act and place . " Often he " misremembered , " as the children say , and probably at least as often he faithfully wrote down the lines the actors were , in fact , in the habit of speaking , whether or not these were " true ...
222 ページ
... force liberated by mankind to destroy itself . We may more readily identify Shakespeare with Edmund than with ... forces beyond mortal knowledge . In CAESAR there have been portents and ghostly visitations . In HAMLET it is the Ghost who ...
... force liberated by mankind to destroy itself . We may more readily identify Shakespeare with Edmund than with ... forces beyond mortal knowledge . In CAESAR there have been portents and ghostly visitations . In HAMLET it is the Ghost who ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
著作権 | |
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多く使われている語句
accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote