Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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97 ページ
... hear , because none but we , in our all - knowing dimension , could possibly comprehend him . His soliloquies are a poetic extension of what Kipling reduced to the formula of every schoolboy in Stalky's " I gloat ! I gloat ! hear me ...
... hear , because none but we , in our all - knowing dimension , could possibly comprehend him . His soliloquies are a poetic extension of what Kipling reduced to the formula of every schoolboy in Stalky's " I gloat ! I gloat ! hear me ...
129 ページ
... hears the Elizabethan actor expostulating , " if you talk to an audience about old lauds ' their ears instinctively hear ' lords , ' and it's going to take them several seconds figuring that you can't mean that , and finally getting to ...
... hears the Elizabethan actor expostulating , " if you talk to an audience about old lauds ' their ears instinctively hear ' lords , ' and it's going to take them several seconds figuring that you can't mean that , and finally getting to ...
227 ページ
... hear anything of Lady Macbeth before the pressure of climactic circumstance begins to work on her- she reads Macbeth's account of the witches ' prophecies , and immediately afterward comes the news of Duncan's approach . The raven ...
... hear anything of Lady Macbeth before the pressure of climactic circumstance begins to work on her- she reads Macbeth's account of the witches ' prophecies , and immediately afterward comes the news of Duncan's approach . The raven ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote