Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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64 ページ
... important actors when the whole cast was ranged around a flat stage . There is another important factor to be considered in relat- ing the Elizabethan stage to modern audiences , and that is that the pictorial background provided by a ...
... important actors when the whole cast was ranged around a flat stage . There is another important factor to be considered in relat- ing the Elizabethan stage to modern audiences , and that is that the pictorial background provided by a ...
108 ページ
... importance that the director should provide for every member of his " crowd " a consistent line of individ- uality , which the actor can follow out in its relation to every situation as it arises while he is on the stage . In scenes ...
... importance that the director should provide for every member of his " crowd " a consistent line of individ- uality , which the actor can follow out in its relation to every situation as it arises while he is on the stage . In scenes ...
123 ページ
... important , you do not want the responsibility of having the actors use it , or of accustoming people to hearing God's Name used lightly . " Heminges and Condell would have felt justified in their obedience to the Puritans ' way of ...
... important , you do not want the responsibility of having the actors use it , or of accustoming people to hearing God's Name used lightly . " Heminges and Condell would have felt justified in their obedience to the Puritans ' way of ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote