Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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81 ページ
... interpretation ; I do believe that it is legitimate interpretation , designed for a present - day audience . In almost every one of the better known plays , there are instances where such factors as these must be taken into ...
... interpretation ; I do believe that it is legitimate interpretation , designed for a present - day audience . In almost every one of the better known plays , there are instances where such factors as these must be taken into ...
313 ページ
... interpretation , 174-180 ; PART II , 44 , 158 , 174 , 180 , 184 HENRY V , 73 , 89 , 114 , 120 , 158 , 159 , 160 , 161 , 164 , 175 , 177 , 180 , 181 , 184 , 185 , 299 ; interpretation , 172- 174 HENRY VI'S , 48 , 87 , 97 , 137 , 158 ...
... interpretation , 174-180 ; PART II , 44 , 158 , 174 , 180 , 184 HENRY V , 73 , 89 , 114 , 120 , 158 , 159 , 160 , 161 , 164 , 175 , 177 , 180 , 181 , 184 , 185 , 299 ; interpretation , 172- 174 HENRY VI'S , 48 , 87 , 97 , 137 , 158 ...
317 ページ
... interpretation , 280-285 Terry , Ellen , 10 , 24 , 26 , 92 , 197 Texts , Shakespeare's plays , 111-134 Textual fidelity , 24-25 , 26 , 111-112 Thaisa , Princess , 270 Thames River , 41 Theater , Elizabethan , 31-60 ; companies , 32 , 37 ...
... interpretation , 280-285 Terry , Ellen , 10 , 24 , 26 , 92 , 197 Texts , Shakespeare's plays , 111-134 Textual fidelity , 24-25 , 26 , 111-112 Thaisa , Princess , 270 Thames River , 41 Theater , Elizabethan , 31-60 ; companies , 32 , 37 ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote