Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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71 ページ
... leave . ” But it is not a sudden qualm about the fact that the histori- cal Macbeth reigned in Scotland for twenty ... leaves him an “ old ” man . Modern thinking is receptive to the treatment of time in terms of relativity . Theater ...
... leave . ” But it is not a sudden qualm about the fact that the histori- cal Macbeth reigned in Scotland for twenty ... leaves him an “ old ” man . Modern thinking is receptive to the treatment of time in terms of relativity . Theater ...
95 ページ
... leave it by degrees . " Shakespeare leaves it by degrees , never entirely . He splits the two traditions into endless fragments , until the " Clown " line of parts , as his contemporaries understood it , is gone , divided among a dozen ...
... leave it by degrees . " Shakespeare leaves it by degrees , never entirely . He splits the two traditions into endless fragments , until the " Clown " line of parts , as his contemporaries understood it , is gone , divided among a dozen ...
130 ページ
... Leave me , friends . I will , say so . [ here , we presume , " Exeunt all but Hamlet " ] " By and by " is easily said , Tis now the very witching time of night . The Folio rendering runs : ... HAMLET : Then I will come to my mother by ...
... Leave me , friends . I will , say so . [ here , we presume , " Exeunt all but Hamlet " ] " By and by " is easily said , Tis now the very witching time of night . The Folio rendering runs : ... HAMLET : Then I will come to my mother by ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
著作権 | |
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多く使われている語句
accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote