Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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... means confined to the professional stage . In February , 1937 , I directed RICHARD II for Maurice Evans in New York . It was my first wholly professional Shake- spearean production and my first glimpse of the opportunities and ...
... means confined to the professional stage . In February , 1937 , I directed RICHARD II for Maurice Evans in New York . It was my first wholly professional Shake- spearean production and my first glimpse of the opportunities and ...
75 ページ
... means . The vigorous , if erratic , impulses of the rebellious Twen- ties encouraged unorthodox scenic experiments . Revolving stages and other newly invented mechanical devices fostered them . Since then , stage design has been ...
... means . The vigorous , if erratic , impulses of the rebellious Twen- ties encouraged unorthodox scenic experiments . Revolving stages and other newly invented mechanical devices fostered them . Since then , stage design has been ...
124 ページ
... means without significance to us . For instance , in the Closet scene the Queen says to Hamlet : But as I have a soul , I swear by Heaven I never knew of this most horrid murder , and further agrees to aid him in his plans against 124 ...
... means without significance to us . For instance , in the Closet scene the Queen says to Hamlet : But as I have a soul , I swear by Heaven I never knew of this most horrid murder , and further agrees to aid him in his plans against 124 ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
著作権 | |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote