Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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42 ページ
... performances at court or in private houses , not always under the most ideal circumstances . At a performance of PERICLES in honor of the French ambassadors , it is reported that " after two actes the players ceased till the French all ...
... performances at court or in private houses , not always under the most ideal circumstances . At a performance of PERICLES in honor of the French ambassadors , it is reported that " after two actes the players ceased till the French all ...
49 ページ
... performances and other miscellaneous remuneration . Shakespeare and his fellows were , by the standards of their day ... performance of the already obsolete RICHARD II , which had been produced five years earlier and had completely ...
... performances and other miscellaneous remuneration . Shakespeare and his fellows were , by the standards of their day ... performance of the already obsolete RICHARD II , which had been produced five years earlier and had completely ...
115 ページ
... performance which the " reporter " saw and the degree to which that performance may be thought to have represented an earlier " tryout " version by Shakespeare of the as yet unfinished play . When Heminges and Condell finally published ...
... performance which the " reporter " saw and the degree to which that performance may be thought to have represented an earlier " tryout " version by Shakespeare of the as yet unfinished play . When Heminges and Condell finally published ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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多く使われている語句
accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote