Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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212 ページ
Margaret Webster. versal testimony of those who have played both versions , an easier time in the full one than he has in the compressed tension caused by cutting . Surprising things have emerged from these recent treat- ments of the play ...
Margaret Webster. versal testimony of those who have played both versions , an easier time in the full one than he has in the compressed tension caused by cutting . Surprising things have emerged from these recent treat- ments of the play ...
248 ページ
... play with some obscure and bawdy rhymed verse ; or , rather , the play stops because it has already gone on a long time and there doesn't seem to be much left to write about . All of this leaves us , in the theater , faced with very ...
... play with some obscure and bawdy rhymed verse ; or , rather , the play stops because it has already gone on a long time and there doesn't seem to be much left to write about . All of this leaves us , in the theater , faced with very ...
255 ページ
... play is filled , not one may justly be isolated from its context or from the character who speaks it , for every line both reveals the speaker and furthers the play's design . It is not an easy play to produce in the modern theater ...
... play is filled , not one may justly be isolated from its context or from the character who speaks it , for every line both reveals the speaker and furthers the play's design . It is not an easy play to produce in the modern theater ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
著作権 | |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote