Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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19 ページ
... problem taught me , principally , two things : firstly , that anybody , man or woman , young or old , fat or thin ... problems of Shakespearean produc- tion are not basically different in the amateur and professional 19 First Person ...
... problem taught me , principally , two things : firstly , that anybody , man or woman , young or old , fat or thin ... problems of Shakespearean produc- tion are not basically different in the amateur and professional 19 First Person ...
112 ページ
... problems of interpreting Shakespeare himself , we must , however , devote some careful study to the texts themselves before we decide what deviations , if any , may properly be made from them . In a book such as this , which can do no ...
... problems of interpreting Shakespeare himself , we must , however , devote some careful study to the texts themselves before we decide what deviations , if any , may properly be made from them . In a book such as this , which can do no ...
249 ページ
... problems in terms of a pattern roughly just . Over the dark emotions which have caused these problems he has no power . When Shakespeare is writing full tragedy , there will be no Duke to say " Thus far , and no further " ; but this ...
... problems in terms of a pattern roughly just . Over the dark emotions which have caused these problems he has no power . When Shakespeare is writing full tragedy , there will be no Duke to say " Thus far , and no further " ; but this ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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多く使われている語句
accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote