Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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108 ページ
... Scene in JULIUS CAESAR is a case in point . Some lines are actually written in the text ; but the subsidiary ones cannot be left to the haphaz- ard and variable invention of the minor crowd members . The psychology and orchestration of ...
... Scene in JULIUS CAESAR is a case in point . Some lines are actually written in the text ; but the subsidiary ones cannot be left to the haphaz- ard and variable invention of the minor crowd members . The psychology and orchestration of ...
111 ページ
... scenes of Aumerle's conspiracy and the character of the Duchess are cut . In the farewell scene between the King and Queen , some lines are borrowed from the parting scene between Suffolk and Queen Margaret in HENRY VI , PART II . The scene ...
... scenes of Aumerle's conspiracy and the character of the Duchess are cut . In the farewell scene between the King and Queen , some lines are borrowed from the parting scene between Suffolk and Queen Margaret in HENRY VI , PART II . The scene ...
131 ページ
... scene , after the King rises , the Quarto gives the line " Lights , lights , lights ! " to Polonius only , while the Folio has " All . " It is very evident that in practice the cry for lights might well be started by Polonius but must ...
... scene , after the King rises , the Quarto gives the line " Lights , lights , lights ! " to Polonius only , while the Folio has " All . " It is very evident that in practice the cry for lights might well be started by Polonius but must ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote