Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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104 ページ
... seem to stand forever in the dawn . He seems to see in them the heartbreaking gallantry of youth on the threshold of the world , and to draw from their grave tenderness the comfort that he needs , after the storms and tempests that he ...
... seem to stand forever in the dawn . He seems to see in them the heartbreaking gallantry of youth on the threshold of the world , and to draw from their grave tenderness the comfort that he needs , after the storms and tempests that he ...
117 ページ
... seems to me especially fallible . Only one actor's " part " has been preserved from Elizabethan times . The fact that there is only one is no sur- prise to anyone who has ever had to collect actors ' parts at the end of a run . As soon ...
... seems to me especially fallible . Only one actor's " part " has been preserved from Elizabethan times . The fact that there is only one is no sur- prise to anyone who has ever had to collect actors ' parts at the end of a run . As soon ...
132 ページ
... seems to me to reveal clearly the stage manager's usual definition of the author , which could be exactly paralleled in any manuscript and prompt copy today , and also the interesting information that the company had contrived to ...
... seems to me to reveal clearly the stage manager's usual definition of the author , which could be exactly paralleled in any manuscript and prompt copy today , and also the interesting information that the company had contrived to ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote