Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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168 ページ
... seen all of these people . We have seen the dictators who climbed on their shoulders to the summits of absolute power . One of them was called Adolf Hitler . But Richmond is the man who will neither compromise nor wait and hope for the ...
... seen all of these people . We have seen the dictators who climbed on their shoulders to the summits of absolute power . One of them was called Adolf Hitler . But Richmond is the man who will neither compromise nor wait and hope for the ...
258 ページ
... seen stretched to meet and melt into the infinity of space , becomes a tangible stone structure which we can reproduce as easily as we can photograph Trajan's Column . The passions which move beneath it are as simply analyzed ...
... seen stretched to meet and melt into the infinity of space , becomes a tangible stone structure which we can reproduce as easily as we can photograph Trajan's Column . The passions which move beneath it are as simply analyzed ...
297 ページ
... seen , stature and " manner " in acting Shakespeare ; they think of it as something exaggerated and " ham " and believe that the slipshod speech and lazy , commonplace attitudes of the present day are , in some obscure way , more " real ...
... seen , stature and " manner " in acting Shakespeare ; they think of it as something exaggerated and " ham " and believe that the slipshod speech and lazy , commonplace attitudes of the present day are , in some obscure way , more " real ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote