Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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19 ページ
... sense of comradeship among actors , audience , and author . Here , too , Shakespeare was played almost uncut . The Old Vic public would have resented blue - pencil evasions of difficult passages on the part of the director or the actors ...
... sense of comradeship among actors , audience , and author . Here , too , Shakespeare was played almost uncut . The Old Vic public would have resented blue - pencil evasions of difficult passages on the part of the director or the actors ...
200 ページ
... sense of it , when he takes leave of Orlando with : Hereafter , in a better world than this , I shall desire more love and knowledge of you . 1 , 3 , 296 The comedy is so simple , so straightforward , and also so well known , that we ...
... sense of it , when he takes leave of Orlando with : Hereafter , in a better world than this , I shall desire more love and knowledge of you . 1 , 3 , 296 The comedy is so simple , so straightforward , and also so well known , that we ...
204 ページ
... sense . And to Malvolio everything must make sense : literal sense , pettifogging sense , hierarchic sense , the sense of moral justice and the rewards of virtue . But life itself perpetually conspires to dupe and disillusion its ...
... sense . And to Malvolio everything must make sense : literal sense , pettifogging sense , hierarchic sense , the sense of moral justice and the rewards of virtue . But life itself perpetually conspires to dupe and disillusion its ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
著作権 | |
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多く使われている語句
accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote