Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
この書籍内から
検索結果1-3 / 44
69 ページ
... speare's common practice . The scene divisions indicated in almost all modern editions are the entirely gratuitous invention of an eighteenth - century editor , Nicholas Rowe . They are the favorite object for the almost emotional ...
... speare's common practice . The scene divisions indicated in almost all modern editions are the entirely gratuitous invention of an eighteenth - century editor , Nicholas Rowe . They are the favorite object for the almost emotional ...
76 ページ
... speare from the imprisonment of realism . Through the im- aginative and dramatic use of lighting we can retain an element of visual beauty against even the simplest of back- grounds . Although Shakespeare himself knew nothing of it ...
... speare from the imprisonment of realism . Through the im- aginative and dramatic use of lighting we can retain an element of visual beauty against even the simplest of back- grounds . Although Shakespeare himself knew nothing of it ...
131 ページ
... speare did not care which of them said it and that the point was cleared in rehearsal . On the other hand , at the climax of the Play scene , after the King rises , the Quarto gives the line " Lights , lights , lights ! " to Polonius ...
... speare did not care which of them said it and that the point was cleared in rehearsal . On the other hand , at the climax of the Play scene , after the King rises , the Quarto gives the line " Lights , lights , lights ! " to Polonius ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
著作権 | |
他の 13 セクションは表示されていません
他の版 - すべて表示
多く使われている語句
accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote