Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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29 ページ
... whole background of the listener has changed , even though his emotions answer to the same stimuli . His ears , unfortunately , are nothing like so good as they were . Today movies and television have trained our eyes to a high degree ...
... whole background of the listener has changed , even though his emotions answer to the same stimuli . His ears , unfortunately , are nothing like so good as they were . Today movies and television have trained our eyes to a high degree ...
38 ページ
... whole play leads us inexorably up toward Shakespeare's deposed Richard ) ; and a line in the disputed SIR THOMAS MORE , which may indeed be Shakespeare's own , and he twice uses it later , " I do owe God a death . " But even Marlowe ...
... whole play leads us inexorably up toward Shakespeare's deposed Richard ) ; and a line in the disputed SIR THOMAS MORE , which may indeed be Shakespeare's own , and he twice uses it later , " I do owe God a death . " But even Marlowe ...
213 ページ
... whole , with all its thrilling momentum , reaches its momentous climax . Yet Evans himself , around whose performance the whole production revolved , would be the last to claim any part of it as definitive . We aimed at certain specific ...
... whole , with all its thrilling momentum , reaches its momentous climax . Yet Evans himself , around whose performance the whole production revolved , would be the last to claim any part of it as definitive . We aimed at certain specific ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
著作権 | |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote