Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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118 ページ
... written on the right- hand side of the paper preceded by a long line . The brevity of the cues would drive a modern ... written in Alleyn's hand , usually a single word in Latin , such as " currunt , " " decumbit , " and , in a fight ...
... written on the right- hand side of the paper preceded by a long line . The brevity of the cues would drive a modern ... written in Alleyn's hand , usually a single word in Latin , such as " currunt , " " decumbit , " and , in a fight ...
122 ページ
... written . But Shakespeare was far from writing always in his own best manner . He worked fast , hurriedly , sometimes quite ap- parently lashing himself to get the thing finished in time , often scamping the end once he was in sight of ...
... written . But Shakespeare was far from writing always in his own best manner . He worked fast , hurriedly , sometimes quite ap- parently lashing himself to get the thing finished in time , often scamping the end once he was in sight of ...
295 ページ
... written text . Shakespeare , above all dramatists who have written in English , has given us the magic means to enchant the ears of our audience , whether with a grace and delicacy which is Mozart in speech , or with the sweeping ...
... written text . Shakespeare , above all dramatists who have written in English , has given us the magic means to enchant the ears of our audience , whether with a grace and delicacy which is Mozart in speech , or with the sweeping ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote