Shakespeare Without TearsWorld Publishing Company, 1955 - 318 ページ Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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25 ページ
... wrote and with a company dedicated to serving the author rather than to supporting the star . He studied carefully the work of W. J. Lawrence and other scholars who were beginning to reveal the true nature of the Elizabethan playhouses ...
... wrote and with a company dedicated to serving the author rather than to supporting the star . He studied carefully the work of W. J. Lawrence and other scholars who were beginning to reveal the true nature of the Elizabethan playhouses ...
85 ページ
... wrote for actors . He even wrote with specific actors in his mind . He knew their limitations ; and , if his driving genius sometimes led him to stretch his human mate- rial practically to snapping point , his sound theater experience ...
... wrote for actors . He even wrote with specific actors in his mind . He knew their limitations ; and , if his driving genius sometimes led him to stretch his human mate- rial practically to snapping point , his sound theater experience ...
127 ページ
... wrote from what he was copying . " Dr. Wilson accuses him of “ irre- sponsible self - confidence " and " slovenliness " which he was cunning enough to realize would probably escape detection . Poor Scribe C. I prefer to see him as a ...
... wrote from what he was copying . " Dr. Wilson accuses him of “ irre- sponsible self - confidence " and " slovenliness " which he was cunning enough to realize would probably escape detection . Poor Scribe C. I prefer to see him as a ...
目次
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote