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Prin. Was not that Hector?

Dum. The worthy knight of Troy.
Arm. I will kiss thy royal finger, and take
leave. I am a votary; I have vowed to
Jaquenetta to hold the plough for her sweet
love three years. But, most esteemed great-
ness, will you hear the dialogue that the two
learned men have compiled in praise of the
owl and the cuckoo? it should have followed
in the end of our show.

King. Call them forth quickly; we will do so.
Arm. Holla! approach.

890

900

Re-enter Holofernes, Nathaniel, Moth, Costard, and others.

This side is Hiems, Winter, this Ver, the
Spring; the one maintained by the owl, the
other by the cuckoo. Ver, begin.

The Song.

SPRING. When daisies pied and violets blue
And lady-smocks all silver-white
And cuckoo-buds of yellow hue
Do paint the meadows with delight,
The cuckoo then on every tree,

Mocks married men; for thus sings he,
Cuckoo;

910

906. Gerarde in his Herbal, 1597, says, that the flos cuculi cardamine, &c., are called "in English cuckoo flowers, in Norfolk Canterbury bells, and at Namptwich, in Cheshire, Ladie-smocks." In Lyte's Herbal, 1578, it is remarked, that cowslips are, in French, of some called coquu prime vere, and brayes de coquu. Herbe a coqu was one of the old French names for the cowslip, which it seems probable is the flower here meant.-H. N. H.

Cuckoo, cuckoo: O word of fear,
Unpleasing to a married ear!

When shepherds pipe on oaten straws,
And merry larks are ploughmen's
clocks,

When turtles tread, and rooks, and daws,
And maidens bleach their summer

smocks,

The cuckoo then, on every tree,

Mocks married men; for thus sings he,
Cuckoo;

Cuckoo, cuckoo; O word of fear,
Unpleasing to a married ear!

WINTER. When icicles hang by the wall,

920

And Dick the shepherd blows his nail,
And Tom bears logs into the hall,

And milk comes frozen home in pail,
When blood is nipp'd and ways be foul,
Then nightly sings the staring owl,
Tu-whit;

Tu-who, a merry note,

While greasy Joan doth keel the pot. 930

When all aloud the wind doth blow,
And coughing drowns the parson's

saw,

And birds sit brooding in the snow,
And Marian's nose looks red and raw,

When roasted crabs hiss in the bowl,
Then nightly sings the staring owl,
Tu-whit;

Tu-who, a merry note,

While greasy Joan doth keel the pot.

Arm The words of Mercury are harsh after the 940 songs of Apollo. You that way, we this

way.

[Exeunt.

935. The crab-apple, which used to be roasted and put hissing hot into a bowl of ale, previously enriched with toast, and spice, and sugar. How much this was relished in old times, may be guessed by those who appreciate the virtues of apple-toddy. Warner thus speaks of a shepherd:

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A,' he; V. ii. 13.

GLOSSARY

By ISRAEL GOLLancz, M.A.

ABATE, deduct, leave out, except;

vide Novum; V. ii. 547. ACADEME, Academy; I. 1. 13. ADDRESS D, prepared; II. 1. 83. AFFECTION, affectation; V. i.

5.

AFFECT, adore; I. ii. 175. AFFECT THE LETTER, use alliteration; IV. ii. 56.

AFFECTS, affections, inclinations; I. i. 152.

Ajax, probably used with a play upon a jakes, a well-known coarse joke of the time; V. i.

581.

ALL HID, the children's cry in the game of "hide and seek"; IV. iii. 80.

ALLOW'D, privileged (as a fool); V. ii. 478.

AN IF, if (emphatic); I. i. 50. ANNOTHANIZE (so Folio 1 and Quartos; the other Folios "anatomize"), probably Armado's rendering of "anatomize"; IV. i. 69.

ANTIQUE, antic; V. i. 127.
APPLE OF HER EYE, "upon the a."
="in obedience to her glance";
V. ii. 475.

ART, science; "living art," i. e. "immortal science"; I. i. 14. ATES, mischiefs, instigations; (Até the goddess of mischief that incited to bloodshed); V. ii. 694.

BANDIED; vide SET.

BARGAIN, "to sell a bargain"

seems to have consisted in drawing a person in by some stratagem to proclaim himself a fool; III. i. 108. BASE, mean, mere; I. i. 87. BATE, blunt; I. i. 6. BEG; "you cannot beg us," i. e.

you cannot prove us to be idiots and apply to be our guardians; you cannot beg the wardship of our persons and property; V. ii. 490.

BEN VENUTO, welcome (Italian); IV. ii. 172.

BESHREW, a mild form of imprecation; V. ii. 46.

BETIME, betide, chance; IV. iii. 385.

BIAS, preponderant tendency (originally a term in bowling); IV. ii. 119.

BIRD-BOLT, a short thick arrow with a broad flat end, used to kill birds without piercing; IV. iii. 27.

BLOOD, "in blood," used technic

ally in the sense of "in full vigor"; IV. ii. 4.

BOLD OF, confident in; II. i. 28. BOMBAST, padding (cotton used to stuff out garments); V. ii.

791. BRAWL, a kind of dance, "wherein many (men and women) holding by the hands some

times in a ring, and otherwhiles at length, move all together"; III. i. 9.

BREATHED, endowed with breath, vigorous; V. ii. 659. BUTTON-HOLE; "let me take you a b. lower," i. e. "let me speak without ceremony"; V. ii. 706. BUTT-SHAFT, a kind of arrow used for shooting at butts, or targets; I. ii. 186.

CAN, did; an old corruption of "gan" (cp. the version printed in the Passionate Pilgrim), with which word it was frequently confused; IV. iii. 109. CANARY, to dance the canary, a fantastic savage dance, said to have been brought from the Canary Islands; III. i. 12. CAPON, used like poulet in French

for a love-letter; "break up
this capon," i. e. open this let-
ter; IV. i. 56.

CAREER, encounter of knights at
full gallop; V. ii. 482.
CARVE, to show amorous courtesy;
V. ii. 323.

CAUDLE, a warm drink of gruel with wine and spice added, often given to the sick; IV. iii. 177.

CAUSE, used in the technical sense of "cause of quarrel"; I. ii. 189.

CHAPMEN, sellers; II. i. 16. CHARGE-HOUSE, a school-house, not found elsewhere; printed "charg-house" in Fol. 1. and Q. 1.; perhaps="church-house" as pronounced by Armado: "charter-house," "large-house," etc., have been suggested; V. i. 91.

CHOSE, choice, well-chosen; V. i.
104.

CHUCK, a term of endearment;
V. i. 125.

CIRCUM CIRCA (Quartos and Folios
"unum cita," emended by
Theobald), round and round;
V. i. 76.
CITTERN-HEAD, "the cittern had
usually a head grotesquely
carved at the extremity of the
neck and finger-board"; V. ii.
614.

CLAWS, Scratches in a pleasing
manner, humors, flatters; IV.
ii. 66.
CLEAN TIMBERED, well-made,
faultlessly shaped; V. ii. 642.
CLOUT, the white mark at which
archers took their aim; IV. i.
140.

COCKLED, enclosed in a shell; IV.
iii. 341.

CODPIECE, part of the male dress
of the period; III. i. 196.
CoG, deceive; V. ii. 235.
COLORABLE COLORS, specious pre-
texts; IV. ii. 164.

\COMMON SENSE, ordinary sight,
or perception; I. i. 57, 64.
COMPETITORS, associates; II. i. 82.
COMPLEMENTS, accomplishments,
probably with the idea of
"formal accomplishments," "ex-
ternal shows"; I. i. 169. bo Cauer
COMPLEXION, temperament, dispo-
sition (used quibblingly); I. ii.
85.

181

COMPLIMENT, formality; IV. ii. 155.

CONCEIT'S, thought's; II. i. 72. CONCOLINEL, probably the beginning or burden of a song; III. i. 3. CONSENT, compact; V. ii. 460.

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