Love's labor's lost ; Merchant of Venice ; Midsummer night's dream ; Romeo and JulietCurrent Literature Publishing Company, 1909 |
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... fool and the boy " ) ; its quibbling , repartee , and word - play ; its sketchy characterization ( Biron and Rosaline are rough drafts of Benedick and Beatrice ; Armado and Jaquenetta an- ticipate Touchstone and Audrey ) ; the obvious ...
... fool and the boy " ) ; its quibbling , repartee , and word - play ; its sketchy characterization ( Biron and Rosaline are rough drafts of Benedick and Beatrice ; Armado and Jaquenetta an- ticipate Touchstone and Audrey ) ; the obvious ...
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... leave the rider in the mire . Biron . What time o ' day ? 120 114-128 . The speakers in Quarto 1 are " Berowne " and " Katharine . ” -I . G. Ros . The hour that fools should ask . Biron 30 Act II . Sc . i . LOVE'S LABOR'S LOST.
... leave the rider in the mire . Biron . What time o ' day ? 120 114-128 . The speakers in Quarto 1 are " Berowne " and " Katharine . ” -I . G. Ros . The hour that fools should ask . Biron 30 Act II . Sc . i . LOVE'S LABOR'S LOST.
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... fools should ask . Biron . Now fair befall your mask ! Ros . Fair fall the face it covers ! Biron . And send you many lovers ! Ros . Amen , so you be none . Biron . Nay , then will I be gone . 131 King . Madam , your father here doth ...
... fools should ask . Biron . Now fair befall your mask ! Ros . Fair fall the face it covers ! Biron . And send you many lovers ! Ros . Amen , so you be none . Biron . Nay , then will I be gone . 131 King . Madam , your father here doth ...
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... fool sick ? Biron . Sick at the heart . 180 Ros . Alack , let it blood . Biron . Would that do it good ? Ros . My physic says ' aye . ' Biron . Will you prick ' t with your eye ? Ros . No point , with my knife . Biron . Now , God save ...
... fool sick ? Biron . Sick at the heart . 180 Ros . Alack , let it blood . Biron . Would that do it good ? Ros . My physic says ' aye . ' Biron . Will you prick ' t with your eye ? Ros . No point , with my knife . Biron . Now , God save ...
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... , come hither . How did this ar- gument begin ? 108. That is , hath made a fool of him ; or , as we should say , has come it over him.-H. N. H. Moth . By saying that a Costard was broken in 43 LOVE'S LABOR'S LOST Act III . Sc . i .
... , come hither . How did this ar- gument begin ? 108. That is , hath made a fool of him ; or , as we should say , has come it over him.-H. N. H. Moth . By saying that a Costard was broken in 43 LOVE'S LABOR'S LOST Act III . Sc . i .
多く使われている語句
Antonio Armado Bass Bassanio beauty Benvolio Biron Boyet called Capulet character Costard dead dear death Demetrius dost doth dramatic dream ducats Duke Enter Exeunt Exit eyes fair fairy father fear Folios fool gentle give grace Gratiano hand hast hath hear heart heaven Helena Hermia Hippolyta ISRAEL GOLLANCZ Jessica King lady Laun Launcelot live look lord Lorenzo Love's Love's Labor's Lost lovers Lysander madam marry master merchant Merchant of Venice Mercutio merry Midsummer Night's Dream mind Montague moon Moth nature Nerissa never night Nurse Oberon passion play Poet Poet's Portia pray prince Puck Pyramus quarto Romeo and Juliet Rosaline scene Shakespeare Shylock soul speak spirit swear sweet tell thee Theseus thing Thisbe thou art Titania tongue true Tybalt Venice word