Family Relationships in Shakespeare and the Restoration Comedy of MannersOxford, 1983 - 233 ページ |
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177 ページ
... Dorimant is not interested in love . What he wants is satisfaction of his ' vanity ' ( V.i ) . Dale Underwood rightly sees his activities motivated by an expression of a ' Hobbe- sian aggressiveness , competitiveness , and drive for ...
... Dorimant is not interested in love . What he wants is satisfaction of his ' vanity ' ( V.i ) . Dale Underwood rightly sees his activities motivated by an expression of a ' Hobbe- sian aggressiveness , competitiveness , and drive for ...
183 ページ
... Dorimant might ' undergo his " trial " — a temporary endurance of the country ... more for conquest than for love ' and that ' the country ' might ' become the setting for a " ruin " than a romance . ' To think so is to ignore the inner ...
... Dorimant might ' undergo his " trial " — a temporary endurance of the country ... more for conquest than for love ' and that ' the country ' might ' become the setting for a " ruin " than a romance . ' To think so is to ignore the inner ...
184 ページ
... Dorimant to come to Hampshire should then be looked upon as a call to him to enter another world boring world perhaps , but a world governed not by power but by the more basic values of a normal human life - family affection and the ...
... Dorimant to come to Hampshire should then be looked upon as a call to him to enter another world boring world perhaps , but a world governed not by power but by the more basic values of a normal human life - family affection and the ...
目次
The Changing Pattern of the Family | 1 |
Parents and Children | 33 |
Crabbed Age and Youth | 76 |
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多く使われている語句
accept arranged marriage asks attitude Beatrice become Bellair Capulet character Cited claim clearly Cockwood Comedy of Manners comic heroine Congreve consent contemporary Coriolanus Country Wife course daughter Desdemona Dorimant Dorimant's duty Elizabethan Emelia England Fainall Falstaff father Germaine Greer give happy Harriet hath hero honour human husband Ibid II.i II.ii III.i III.iii Italics IV.i John Locke Juliet kind King Lear L. C. Knights Lady Wishfort liberty live London lord lovers marry Mary Astell Matrimony Millamant mind Mirabel mistress moral mother nature never obedience old age Old Bellair Orlando Othello parents patriarchal family peare's perhaps period Petruchio play playwrights Puritan recognize regard rejects relationship Restoration comedy Restoration comic Restoration Drama riage role Romeo Rosalind says scene seventeenth century sexual Shakespeare situation social society surely tells thee thing Thomas thou tion treated V.ii wholly wife wives woman women Young Bellair youth