Family Relationships in Shakespeare and the Restoration Comedy of MannersOxford, 1983 - 233 ページ |
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... course , is an exceptional character . But surely what Restoration comedy clearly brings out is the need for proper edu- cation if women are to survive in their society . As we shall see , the Restoration comic heroine does not accept a ...
... course , is an exceptional character . But surely what Restoration comedy clearly brings out is the need for proper edu- cation if women are to survive in their society . As we shall see , the Restoration comic heroine does not accept a ...
56 ページ
... course , reflects an altogether different attitude to parental authority . When Hero's uncle says to her ' Well , niece , I trust you will be ruled by your father ' ( II.i.44-5 ) , Beatrice antici- pates Hero's docile answer and ...
... course , reflects an altogether different attitude to parental authority . When Hero's uncle says to her ' Well , niece , I trust you will be ruled by your father ' ( II.i.44-5 ) , Beatrice antici- pates Hero's docile answer and ...
61 ページ
... course divorced the first Lady Millamant , and married his friend Doricourt's granddaughter out of the rursery - it will be his turn and young Belmour will make a fool of him.47 Thackeray is , of course , wrong about Mirabel , but his ...
... course divorced the first Lady Millamant , and married his friend Doricourt's granddaughter out of the rursery - it will be his turn and young Belmour will make a fool of him.47 Thackeray is , of course , wrong about Mirabel , but his ...
目次
The Changing Pattern of the Family | 1 |
Parents and Children | 33 |
Crabbed Age and Youth | 76 |
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accept arranged marriage asks attitude Beatrice become Bellair Capulet character Cited claim clearly Cockwood Comedy of Manners comic heroine Congreve consent contemporary Coriolanus Country Wife course daughter Desdemona Dorimant Dorimant's duty Elizabethan Emelia England Fainall Falstaff father Germaine Greer give happy Harriet hath hero honour human husband Ibid II.i II.ii III.i III.iii Italics IV.i John Locke Juliet kind King Lear L. C. Knights Lady Wishfort liberty live London lord lovers marry Mary Astell Matrimony Millamant mind Mirabel mistress moral mother nature never obedience old age Old Bellair Orlando Othello parents patriarchal family peare's perhaps period Petruchio play playwrights Puritan recognize regard rejects relationship Restoration comedy Restoration comic Restoration Drama riage role Romeo Rosalind says scene seventeenth century sexual Shakespeare situation social society surely tells thee thing Thomas thou tion treated V.ii wholly wife wives woman women Young Bellair youth