Family Relationships in Shakespeare and the Restoration Comedy of MannersOxford, 1983 - 233 ページ |
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177 ページ
... kind of genuine human relationship . Dorimant describes Mrs Loveit's love as ' diseased ' , ' sickly ' and ' desperately ill ' ( II.ii ) , but the play shows that his own love for women is no better . Further , the play shows the ...
... kind of genuine human relationship . Dorimant describes Mrs Loveit's love as ' diseased ' , ' sickly ' and ' desperately ill ' ( II.ii ) , but the play shows that his own love for women is no better . Further , the play shows the ...
184 ページ
... kind of world , after all , in which marriage survives and often flourishes . Such a marriage may not always be exciting and may indeed be boring at times , but it is always sustained by affection . Dorimant has had no notion of this ...
... kind of world , after all , in which marriage survives and often flourishes . Such a marriage may not always be exciting and may indeed be boring at times , but it is always sustained by affection . Dorimant has had no notion of this ...
204 ページ
... kind for Troilus . She has destroyed the faith in female purity which he had imbibed from his mother , who was for him the ultimate symbol of purity . Once his faith in that purity is des- troyed , nothing remains sacred in his eyes ...
... kind for Troilus . She has destroyed the faith in female purity which he had imbibed from his mother , who was for him the ultimate symbol of purity . Once his faith in that purity is des- troyed , nothing remains sacred in his eyes ...
目次
The Changing Pattern of the Family | 1 |
Parents and Children | 33 |
Crabbed Age and Youth | 76 |
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accept arranged marriage asks attitude Beatrice become Bellair Capulet character Cited claim clearly Cockwood Comedy of Manners comic heroine Congreve consent contemporary Coriolanus Country Wife course daughter Desdemona Dorimant Dorimant's duty Elizabethan Emelia England Fainall Falstaff father Germaine Greer give happy Harriet hath hero honour human husband Ibid II.i II.ii III.i III.iii Italics IV.i John Locke Juliet kind King Lear L. C. Knights Lady Wishfort liberty live London lord lovers marry Mary Astell Matrimony Millamant mind Mirabel mistress moral mother nature never obedience old age Old Bellair Orlando Othello parents patriarchal family peare's perhaps period Petruchio play playwrights Puritan recognize regard rejects relationship Restoration comedy Restoration comic Restoration Drama riage role Romeo Rosalind says scene seventeenth century sexual Shakespeare situation social society surely tells thee thing Thomas thou tion treated V.ii wholly wife wives woman women Young Bellair youth