Family Relationships in Shakespeare and the Restoration Comedy of MannersOxford, 1983 - 233 ページ |
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128 ページ
... never object pleasing in thine eye , That never touch well welcome to thy hand , That never meat sweet - savoured in thy taste , Unless I spake , or looked , or touched , or carved to thee . How comes it now , my husband , O how comes ...
... never object pleasing in thine eye , That never touch well welcome to thy hand , That never meat sweet - savoured in thy taste , Unless I spake , or looked , or touched , or carved to thee . How comes it now , my husband , O how comes ...
177 ページ
... never well but when he triumphs , nay , glories to a woman's face in his villainies ' ( V.ii ) . ' He is never well ' — indeed , never happy except in the kind of situation that Bellinda describes . Hobbes said about such men that ...
... never well but when he triumphs , nay , glories to a woman's face in his villainies ' ( V.ii ) . ' He is never well ' — indeed , never happy except in the kind of situation that Bellinda describes . Hobbes said about such men that ...
184 ページ
... never will marry any other man ' though she is clever enough to add , to soften her attitude , that she ' will never marry him against [ her ] will ' ( V.ii ) . But this does not mean that she has at last capitulated . Indeed her state ...
... never will marry any other man ' though she is clever enough to add , to soften her attitude , that she ' will never marry him against [ her ] will ' ( V.ii ) . But this does not mean that she has at last capitulated . Indeed her state ...
目次
The Changing Pattern of the Family | 1 |
Parents and Children | 33 |
Crabbed Age and Youth | 76 |
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多く使われている語句
accept arranged marriage asks attitude Beatrice become Bellair Capulet character Cited claim clearly Cockwood Comedy of Manners comic heroine Congreve consent contemporary Coriolanus Country Wife course daughter Desdemona Dorimant Dorimant's duty Elizabethan Emelia England Fainall Falstaff father Germaine Greer give happy Harriet hath hero honour human husband Ibid II.i II.ii III.i III.iii Italics IV.i John Locke Juliet kind King Lear L. C. Knights Lady Wishfort liberty live London lord lovers marry Mary Astell Matrimony Millamant mind Mirabel mistress moral mother nature never obedience old age Old Bellair Orlando Othello parents patriarchal family peare's perhaps period Petruchio play playwrights Puritan recognize regard rejects relationship Restoration comedy Restoration comic Restoration Drama riage role Romeo Rosalind says scene seventeenth century sexual Shakespeare situation social society surely tells thee thing Thomas thou tion treated V.ii wholly wife wives woman women Young Bellair youth