Family Relationships in Shakespeare and the Restoration Comedy of MannersOxford, 1983 - 233 ページ |
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... patriarchal family on a woman , she does come to acquire a sense of belonging and a sense of sharing wherever she is a partner in the economic life of the family . But once she comes to have only a decorative role , she tends to lose ...
... patriarchal family on a woman , she does come to acquire a sense of belonging and a sense of sharing wherever she is a partner in the economic life of the family . But once she comes to have only a decorative role , she tends to lose ...
41 ページ
... patriarchal society . The name Montague by itself gives Romeo an identity in such a society . Romeo is also conscious of this and after Tybalt's death asks the Friar : O , tell me , friar , tell me , In what vile part of this anatomy ...
... patriarchal society . The name Montague by itself gives Romeo an identity in such a society . Romeo is also conscious of this and after Tybalt's death asks the Friar : O , tell me , friar , tell me , In what vile part of this anatomy ...
49 ページ
... patriarchal society , family honour or interest is so important that the happiness of children is of no consequence . Shakespeare does , of course , try to soften the harshness of a patriarchal society , but the fact remains that ...
... patriarchal society , family honour or interest is so important that the happiness of children is of no consequence . Shakespeare does , of course , try to soften the harshness of a patriarchal society , but the fact remains that ...
目次
The Changing Pattern of the Family | 1 |
Parents and Children | 33 |
Crabbed Age and Youth | 76 |
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多く使われている語句
accept arranged marriage asks attitude Beatrice become Bellair Capulet character Cited claim clearly Cockwood Comedy of Manners comic heroine Congreve consent contemporary Coriolanus Country Wife course daughter Desdemona Dorimant Dorimant's duty Elizabethan Emelia England Fainall Falstaff father Germaine Greer give happy Harriet hath hero honour human husband Ibid II.i II.ii III.i III.iii Italics IV.i John Locke Juliet kind King Lear L. C. Knights Lady Wishfort liberty live London lord lovers marry Mary Astell Matrimony Millamant mind Mirabel mistress moral mother nature never obedience old age Old Bellair Orlando Othello parents patriarchal family peare's perhaps period Petruchio play playwrights Puritan recognize regard rejects relationship Restoration comedy Restoration comic Restoration Drama riage role Romeo Rosalind says scene seventeenth century sexual Shakespeare situation social society surely tells thee thing Thomas thou tion treated V.ii wholly wife wives woman women Young Bellair youth