Family Relationships in Shakespeare and the Restoration Comedy of MannersOxford, 1983 - 233 ページ |
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... possess . An anonymous author in 1647 wrote what , according to L. C. Knights , had become a commonplace by the middle of the seventeenth century : Whosoever wanteth money is ever subject to contempt and scorn in the world , let him be ...
... possess . An anonymous author in 1647 wrote what , according to L. C. Knights , had become a commonplace by the middle of the seventeenth century : Whosoever wanteth money is ever subject to contempt and scorn in the world , let him be ...
184 ページ
... possess one another at all , yet they confront this solution at the end of the play with a dubiety which , in Elizabethan comedy , had been reserved only for clowns and fools76 is clearly too pessimistic . ( Italics mine ) 184 Family ...
... possess one another at all , yet they confront this solution at the end of the play with a dubiety which , in Elizabethan comedy , had been reserved only for clowns and fools76 is clearly too pessimistic . ( Italics mine ) 184 Family ...
197 ページ
... possessing ' one another . Surely ' possessing ' is too limited a concept of marriage and both Mirabel and Millamant recognize it more than any other lovers in Restoration Comedy . Historically speaking , we may say that after 1700 we ...
... possessing ' one another . Surely ' possessing ' is too limited a concept of marriage and both Mirabel and Millamant recognize it more than any other lovers in Restoration Comedy . Historically speaking , we may say that after 1700 we ...
目次
The Changing Pattern of the Family | 1 |
Parents and Children | 33 |
Crabbed Age and Youth | 76 |
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accept arranged marriage asks attitude Beatrice become Bellair Capulet character Cited claim clearly Cockwood Comedy of Manners comic heroine Congreve consent contemporary Coriolanus Country Wife course daughter Desdemona Dorimant Dorimant's duty Elizabethan Emelia England Fainall Falstaff father Germaine Greer give happy Harriet hath hero honour human husband Ibid II.i II.ii III.i III.iii Italics IV.i John Locke Juliet kind King Lear L. C. Knights Lady Wishfort liberty live London lord lovers marry Mary Astell Matrimony Millamant mind Mirabel mistress moral mother nature never obedience old age Old Bellair Orlando Othello parents patriarchal family peare's perhaps period Petruchio play playwrights Puritan recognize regard rejects relationship Restoration comedy Restoration comic Restoration Drama riage role Romeo Rosalind says scene seventeenth century sexual Shakespeare situation social society surely tells thee thing Thomas thou tion treated V.ii wholly wife wives woman women Young Bellair youth