Family Relationships in Shakespeare and the Restoration Comedy of MannersOxford, 1983 - 233 ページ |
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85 ページ
... true nobility and honour reside , in birth or in merit . This question , as M. C. Bradbrook says , was ' the great topic of the courtesy books , and in a court that included such a high propor- tion of self - made men as Elizabeth's did ...
... true nobility and honour reside , in birth or in merit . This question , as M. C. Bradbrook says , was ' the great topic of the courtesy books , and in a court that included such a high propor- tion of self - made men as Elizabeth's did ...
103 ページ
... true of poets in general , it is not at all certain whether it is true of Shakespeare . The impression that one gathers from Shakes- peare's plays is that it is his constant endeavour to reconcile love and marriage . It may , of course ...
... true of poets in general , it is not at all certain whether it is true of Shakespeare . The impression that one gathers from Shakes- peare's plays is that it is his constant endeavour to reconcile love and marriage . It may , of course ...
169 ページ
... true to his wife , or ever was , or ever will be so ' ( III.ii ) . ( Italics mine ) . ' No man worth having is true to his wife ' - that is the real predicament of the Restoration comic heroine . Somehow it is a common feeling in the ...
... true to his wife , or ever was , or ever will be so ' ( III.ii ) . ( Italics mine ) . ' No man worth having is true to his wife ' - that is the real predicament of the Restoration comic heroine . Somehow it is a common feeling in the ...
目次
The Changing Pattern of the Family | 1 |
Parents and Children | 33 |
Crabbed Age and Youth | 76 |
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accept arranged marriage asks attitude Beatrice become Bellair Capulet character Cited claim clearly Cockwood Comedy of Manners comic heroine Congreve consent contemporary Coriolanus Country Wife course daughter Desdemona Dorimant Dorimant's duty Elizabethan Emelia England Fainall Falstaff father Germaine Greer give happy Harriet hath hero honour human husband Ibid II.i II.ii III.i III.iii Italics IV.i John Locke Juliet kind King Lear L. C. Knights Lady Wishfort liberty live London lord lovers marry Mary Astell Matrimony Millamant mind Mirabel mistress moral mother nature never obedience old age Old Bellair Orlando Othello parents patriarchal family peare's perhaps period Petruchio play playwrights Puritan recognize regard rejects relationship Restoration comedy Restoration comic Restoration Drama riage role Romeo Rosalind says scene seventeenth century sexual Shakespeare situation social society surely tells thee thing Thomas thou tion treated V.ii wholly wife wives woman women Young Bellair youth