Family Relationships in Shakespeare and the Restoration Comedy of MannersOxford, 1983 - 233 ページ |
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104 ページ
... wife ' and that he comes nearest to affection only ' when he calls on her to share his grief — “ O heavens ! O wife , look how our daughter bleeds " - and that even here he is simply including her in a feeling that is paternal and ...
... wife ' and that he comes nearest to affection only ' when he calls on her to share his grief — “ O heavens ! O wife , look how our daughter bleeds " - and that even here he is simply including her in a feeling that is paternal and ...
111 ページ
... wife for him and to establish wedlock as the prime source and pattern of all human relationships to come.'19 The ... wives should be as two sweet friends , Husbands and Wives ( 1 ) 111.
... wife for him and to establish wedlock as the prime source and pattern of all human relationships to come.'19 The ... wives should be as two sweet friends , Husbands and Wives ( 1 ) 111.
158 ページ
... wife as a slave , the relationship degenerates into conflict and misery . It is a notable feature of Restoration comedy that it consistently ridicules men who behave as tyrants and treat their wives as prop- erty . These men are usually ...
... wife as a slave , the relationship degenerates into conflict and misery . It is a notable feature of Restoration comedy that it consistently ridicules men who behave as tyrants and treat their wives as prop- erty . These men are usually ...
目次
The Changing Pattern of the Family | 1 |
Parents and Children | 33 |
Crabbed Age and Youth | 76 |
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accept arranged marriage asks attitude Beatrice become Bellair Capulet character Cited claim clearly Cockwood Comedy of Manners comic heroine Congreve consent contemporary Coriolanus Country Wife course daughter Desdemona Dorimant Dorimant's duty Elizabethan Emelia England Fainall Falstaff father Germaine Greer give happy Harriet hath hero honour human husband Ibid II.i II.ii III.i III.iii Italics IV.i John Locke Juliet kind King Lear L. C. Knights Lady Wishfort liberty live London lord lovers marry Mary Astell Matrimony Millamant mind Mirabel mistress moral mother nature never obedience old age Old Bellair Orlando Othello parents patriarchal family peare's perhaps period Petruchio play playwrights Puritan recognize regard rejects relationship Restoration comedy Restoration comic Restoration Drama riage role Romeo Rosalind says scene seventeenth century sexual Shakespeare situation social society surely tells thee thing Thomas thou tion treated V.ii wholly wife wives woman women Young Bellair youth