Bell's Ladies' Reader: a Class-book of Poetry for Schools and Families. With an Intr. on the Principles of Elocution |
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... give relief , or artistically to tone sound in making it " an echo to the sense . " 14. Chiefly cultivate the low tones , and endeavour to extend and im- prove the Natural Voice . For this purpose , read frequently aloud , in a low ...
... give relief , or artistically to tone sound in making it " an echo to the sense . " 14. Chiefly cultivate the low tones , and endeavour to extend and im- prove the Natural Voice . For this purpose , read frequently aloud , in a low ...
13 ページ
... gives phonic prominence to a certain syllable in a word . EMPHASIS is that superior stress or accent which indicates the principal word in a sentence , or in the group already mentioned as the " oratorical word . ” 42. Every word of ...
... gives phonic prominence to a certain syllable in a word . EMPHASIS is that superior stress or accent which indicates the principal word in a sentence , or in the group already mentioned as the " oratorical word . ” 42. Every word of ...
16 ページ
... give smoothness and natural effect to the inflexions , the follow- ing logical formulas may be prefixed to words , in practice : For the Simple Rise , For the Simple Fall , For the Compound Rise , For the Compound Fall , " Is it 19 " It ...
... give smoothness and natural effect to the inflexions , the follow- ing logical formulas may be prefixed to words , in practice : For the Simple Rise , For the Simple Fall , For the Compound Rise , For the Compound Fall , " Is it 19 " It ...
18 ページ
... gives awe to descriptive passages . The Orotund Monotone should be used in solemn or sublime passages . The Falsetto Monotone gives expression to violent despair , affliction , or anguish : it is also employed to express distant voices ...
... gives awe to descriptive passages . The Orotund Monotone should be used in solemn or sublime passages . The Falsetto Monotone gives expression to violent despair , affliction , or anguish : it is also employed to express distant voices ...
20 ページ
... give variety . 92. Verses consist of different numbers of feet , namely : - Heptameter , a verse of seven feet . Hexameter , six feet . Pentameter , five feet . " Tetrameter , four feet . 99 Trimeter , three feet . 99 Dimeter , two feet ...
... give variety . 92. Verses consist of different numbers of feet , namely : - Heptameter , a verse of seven feet . Hexameter , six feet . Pentameter , five feet . " Tetrameter , four feet . 99 Trimeter , three feet . 99 Dimeter , two feet ...
多く使われている語句
beauty bird bless break breath bright bring child clouds cold creeping cried dark dead dear death delight dream Duke dwell earth face fade fair fall father fear feel flowers give gone grave green hand happy hath head hear heard heart heaven hill hope hour John ladies land leaves light live lonely look Lord meet mind morn mother mountain Nature never night o'er once pass peace poor praise rest rise rose round shine sigh silent sing sleep smile soft song soon sorrow soul sound speak spirit spring star stream summer sweet tears tell thee things thou thought tree turn Twas voice wander waters waves weep wild wind wings young youth
人気のある引用
197 ページ - Stern Lawgiver! yet thou dost wear The Godhead's most benignant grace; Nor know we anything so fair As is the smile upon thy face: Flowers laugh before thee on their beds And fragrance in thy footing treads; Thou dost preserve the stars from wrong; And the most ancient heavens, through thee, Are fresh and strong.
84 ページ - We have short time to stay, as you, We have as short a Spring ; As quick a growth to meet decay As you, or any thing. We die, As your hours do, and dry Away Like to the Summer's rain ; Or as the pearls of morning's dew, Ne'er to be found again.
182 ページ - she tacks no more! Hither to work us weal; Without a breeze, without a tide, She steadies with upright keel!
183 ページ - gan work the ropes, Where they were wont to do ; They raised their limbs like lifeless tools — We were a ghastly crew. The body of my brother's son Stood by me, knee to knee : The body and I pulled at one rope, But he said nought to me. " I fear thee, ancient Mariner...
135 ページ - MAY MORNING. Now the bright morning star, day's harbinger, Comes dancing from the east, and leads with her The flowery May, who from her green lap throws The yellow cowslip, and the pale primrose. Hail, bounteous May, that dost inspire Mirth and youth and warm desire ; Woods and groves are of thy dressing, Hill and dale doth boast thy blessing. Thus we salute thee with our early song, And welcome thee, and wish thee long.
187 ページ - There, held in holy passion still, Forget thyself to marble, till With a sad leaden downward cast, Thou fix them on the earth as fast...
212 ページ - Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O, no ! it is an ever-fixed mark, That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken.
136 ページ - TELL ME NOT, sweet, I am unkind, That from the nunnery Of thy chaste breast and quiet mind, To war and arms I fly. True, a new mistress now I chase, The first foe in the field; And with a stronger faith embrace A sword, a horse, a shield. Yet this inconstancy is such As you too shall adore; I could not love thee, dear, so much, Loved I not honor more.
181 ページ - The Sun now rose upon the right: Out of the sea came he, Still hid in mist, and on the left Went down into the sea. "And the good south wind still blew behind, But no sweet bird did follow, Nor any day for food or play Came to the mariners
196 ページ - Where no misgiving is, rely Upon the genial sense of youth: Glad Hearts! without reproach or blot; Who do thy work, and know it not: Oh!