Shakespeare as a Dramatic Artist: A Popular Illustration of the Principles of Scientific CriticismClarendon Press, 1901 - 443 ページ |
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8 ページ
... Tragedy Shake- speare appears quite out of his element : His brains are turned ; he raves and rambles without any coherence , any spark of reason , or any rule to control him or set bounds to his phrensy . The shouting and battles of ...
... Tragedy Shake- speare appears quite out of his element : His brains are turned ; he raves and rambles without any coherence , any spark of reason , or any rule to control him or set bounds to his phrensy . The shouting and battles of ...
9 ページ
... tragedies- is thus summed up : There is in this play some burlesque , some humour and ramble of comical wit , some show and some mimicry to divert the spectators : but the tragical part is plainly none other than a bloody farce ...
... tragedies- is thus summed up : There is in this play some burlesque , some humour and ramble of comical wit , some show and some mimicry to divert the spectators : but the tragical part is plainly none other than a bloody farce ...
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... Tragedy to his Comedy , the former the outcome of skill rather than instinct , with little felicity and always leaving something wanting ; how he seems without moral purpose , letting his precepts and axioms drop casually from him ...
... Tragedy to his Comedy , the former the outcome of skill rather than instinct , with little felicity and always leaving something wanting ; how he seems without moral purpose , letting his precepts and axioms drop casually from him ...
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... Tragedy is yet perfect : here he has for modern readers only the interest of curiosity . Dr. Johnson's analysis of ' metaphysical poetry , ' Addison's de- velopment of the leading effects in Paradise Lost , remain as true and forcible ...
... Tragedy is yet perfect : here he has for modern readers only the interest of curiosity . Dr. Johnson's analysis of ' metaphysical poetry , ' Addison's de- velopment of the leading effects in Paradise Lost , remain as true and forcible ...
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... Tragedy would not be tolerated by the lowest French mob , can harm none but Rymer and Voltaire . If the critics ... tragedies of the Elizabethan age , and declaring Waller's Poem on the Navy Royal beyond all modern poetry in any language ...
... Tragedy would not be tolerated by the lowest French mob , can harm none but Rymer and Voltaire . If the critics ... tragedies of the Elizabethan age , and declaring Waller's Poem on the Navy Royal beyond all modern poetry in any language ...
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多く使われている語句
analysis Antonio appears Ariel Armado artistic Banquo Bassanio becomes Ben Jonson blank verse Brutus Brutus's Caliban Caskets Story Cassio central idea centre CHAP character climax complexity Complication conception crime Desdemona Destiny distinct dramatic dramatist effect elements emotional enchantment Enveloping Action euphuism evil fall fate fool force give Gloucester Goneril human humour Iago incidents inductive criticism interest intrigue Irony Jaques Jessica Julius Cæsar justice King Lady Macbeth Lear literary literature Love's Labour's Lost Macduff madness main plot ment Merchant of Venice mind modern moral Motion Motive movement murder nature oracle Oracular Action Othello passion personages play Poetic Justice Portia present Prospero purpose recognised retribution Richard Richard III rise Rosalind scene seen sense Shakespeare Shylock side spirit stage Sub-Action suggests supernatural sympathy Tempest thee things thou thought tion tone tragedy train treatment turning-point Underplot unity verse villainy whole words
人気のある引用
305 ページ - I have neither the scholar's melancholy, which is emulation ; nor the musician's which is fantastical ; nor the courtier's, which is proud ; nor the soldier's, which is ambitious ; nor the lawyer's, which is politic ; nor the lady's, which is nice ; nor the lover's, which is all these...
176 ページ - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
175 ページ - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him : but, as he was ambitious, I slew him.
163 ページ - Infirm of purpose! Give me the daggers: the sleeping and the dead Are but as pictures: 'tis the eye of childhood That fears a painted devil. If he do bleed, I'll gild the faces of the grooms withal, For it must seem their guilt.
278 ページ - O, it is monstrous ! monstrous ! Methought the billows spoke, and told me of it ; The winds did sing it to me ; and the thunder, That deep and dreadful organ-pipe, pronounced The name of Prosper ; it did bass my trespass. Therefore my son i' the ooze is bedded ; and I'll seek him deeper than e'er plummet sounded, And with him there lie mudded.
152 ページ - He's here in double trust; First, as I am his kinsman and his subject Strong both against the deed; then, as his host, Who should against his murderer shut the door, Not bear the knife myself.
190 ページ - Why should that name be sounded more than yours ? Write them together, yours is as fair a name; Sound them, it doth become the mouth as well; Weigh them, it is as heavy; conjure with 'em, Brutus will start a spirit as soon as Caesar.
190 ページ - If Caesar carelessly but nod on him. He had a fever when he was in Spain, And, when the fit was on him, I did mark How he did shake, — 'tis true, this God did shake.
138 ページ - Why do the heathen rage, and the people imagine a vain thing? The kings of the earth set themselves, and the rulers take counsel together, against the Lord, and against his Anointed, saying, Let us break their bands asunder, and cast away their cords from us.
157 ページ - I have given suck, and know How tender 'tis to love the babe that milks me : I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this.