Shakespeare as a Dramatic Artist: A Popular Illustration of the Principles of Scientific CriticismClarendon Press, 1901 - 443 ページ |
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112 ページ
... unity , Queen iv.i ; iv.iv . Margaret's function is to point out that this unity of woe is ii . iii ; and only the nemesis falling on the house of York for their wrongs to the house of Lancaster . Thus the pattern made up of so many ...
... unity , Queen iv.i ; iv.iv . Margaret's function is to point out that this unity of woe is ii . iii ; and only the nemesis falling on the house of York for their wrongs to the house of Lancaster . Thus the pattern made up of so many ...
129 ページ
... unity to the second half of the play , in the way in which the first half was made complete by the association between Macbeth and Banquo , from their joint encounter with the Witches on to the murder of Banquo as iii . i . 57– a ...
... unity to the second half of the play , in the way in which the first half was made complete by the association between Macbeth and Banquo , from their joint encounter with the Witches on to the murder of Banquo as iii . i . 57– a ...
168 ページ
... unity by the way in which the arts borrow their terms from one another . ' Colour ' is applied to music , ' tone ' to painting ; we speak of costume as ' loud , ' of melody as ' bright , ' of orchestration as ' massive ' ; ' fragrance ...
... unity by the way in which the arts borrow their terms from one another . ' Colour ' is applied to music , ' tone ' to painting ; we speak of costume as ' loud , ' of melody as ' bright , ' of orchestration as ' massive ' ; ' fragrance ...
169 ページ
... unity of CH . VIII . effect if looked at from some one point of view . An example of such Character - Grouping is seen in the play of Julius grouping Casar , where the four leading figures , all on the grandest in Julius scale , have ...
... unity of CH . VIII . effect if looked at from some one point of view . An example of such Character - Grouping is seen in the play of Julius grouping Casar , where the four leading figures , all on the grandest in Julius scale , have ...
260 ページ
... unity to the Story of Ferdinand and Miranda ; it is not merely one of the hundred love stories of the Elizabethan drama , but it is an ideal study of love at first sight , ' com- plete in all its stages . First we have the lovers ...
... unity to the Story of Ferdinand and Miranda ; it is not merely one of the hundred love stories of the Elizabethan drama , but it is an ideal study of love at first sight , ' com- plete in all its stages . First we have the lovers ...
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多く使われている語句
analysis Antonio appears Ariel Armado artistic Banquo Bassanio becomes Ben Jonson blank verse Brutus Brutus's Caliban Caskets Story Cassio central idea centre CHAP character climax complexity Complication conception crime Desdemona Destiny distinct dramatic dramatist effect elements emotional enchantment Enveloping Action euphuism evil fall fate fool force give Gloucester Goneril human humour Iago incidents inductive criticism interest intrigue Irony Jaques Jessica Julius Cæsar justice King Lady Macbeth Lear literary literature Love's Labour's Lost Macduff madness main plot ment Merchant of Venice mind modern moral Motion Motive movement murder nature oracle Oracular Action Othello passion personages play Poetic Justice Portia present Prospero purpose recognised retribution Richard Richard III rise Rosalind scene seen sense Shakespeare Shylock side spirit stage Sub-Action suggests supernatural sympathy Tempest thee things thou thought tion tone tragedy train treatment turning-point Underplot unity verse villainy whole words
人気のある引用
305 ページ - I have neither the scholar's melancholy, which is emulation ; nor the musician's which is fantastical ; nor the courtier's, which is proud ; nor the soldier's, which is ambitious ; nor the lawyer's, which is politic ; nor the lady's, which is nice ; nor the lover's, which is all these...
176 ページ - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
175 ページ - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him : but, as he was ambitious, I slew him.
163 ページ - Infirm of purpose! Give me the daggers: the sleeping and the dead Are but as pictures: 'tis the eye of childhood That fears a painted devil. If he do bleed, I'll gild the faces of the grooms withal, For it must seem their guilt.
278 ページ - O, it is monstrous ! monstrous ! Methought the billows spoke, and told me of it ; The winds did sing it to me ; and the thunder, That deep and dreadful organ-pipe, pronounced The name of Prosper ; it did bass my trespass. Therefore my son i' the ooze is bedded ; and I'll seek him deeper than e'er plummet sounded, And with him there lie mudded.
152 ページ - He's here in double trust; First, as I am his kinsman and his subject Strong both against the deed; then, as his host, Who should against his murderer shut the door, Not bear the knife myself.
190 ページ - Why should that name be sounded more than yours ? Write them together, yours is as fair a name; Sound them, it doth become the mouth as well; Weigh them, it is as heavy; conjure with 'em, Brutus will start a spirit as soon as Caesar.
190 ページ - If Caesar carelessly but nod on him. He had a fever when he was in Spain, And, when the fit was on him, I did mark How he did shake, — 'tis true, this God did shake.
138 ページ - Why do the heathen rage, and the people imagine a vain thing? The kings of the earth set themselves, and the rulers take counsel together, against the Lord, and against his Anointed, saying, Let us break their bands asunder, and cast away their cords from us.
157 ページ - I have given suck, and know How tender 'tis to love the babe that milks me : I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this.