Shakespeare as a Dramatic Artist: A Popular Illustration of the Principles of Scientific CriticismClarendon Press, 1901 - 443 ページ |
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... whole which is required for a full treatment of the subject . The present work is so arranged that it assumes knowledge of only five1 plays - The Merchant of Venice , Richard III , Macbeth , Julius Cæsar , and King Lear . Not only in ...
... whole which is required for a full treatment of the subject . The present work is so arranged that it assumes knowledge of only five1 plays - The Merchant of Venice , Richard III , Macbeth , Julius Cæsar , and King Lear . Not only in ...
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... whole refuted by experience : history of criticism has been a triumph of authors over critics : the history of criticism so long as criticism has meant the gauging of literature , so a triumph long its progress has consisted in the ...
... whole refuted by experience : history of criticism has been a triumph of authors over critics : the history of criticism so long as criticism has meant the gauging of literature , so a triumph long its progress has consisted in the ...
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... whole is Drama not not felt to need defence , and the old spirit survives only felt to need in their distribution of praise and blame amongst its different defence as a whole , but parts . Theobald opens his preface with the comparison ...
... whole is Drama not not felt to need defence , and the old spirit survives only felt to need in their distribution of praise and blame amongst its different defence as a whole , but parts . Theobald opens his preface with the comparison ...
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... whole of the literary world ; but such names as Goethe , Tieck , Schlegel , Victor Hugo , Ulrici , Gervinus suggest how many great reputations have been made , and reputations already great have been carried into a new sphere of great ...
... whole of the literary world ; but such names as Goethe , Tieck , Schlegel , Victor Hugo , Ulrici , Gervinus suggest how many great reputations have been made , and reputations already great have been carried into a new sphere of great ...
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... whole , but in their flashing the subjectivity of a writer on to a variety of isolated topics ; they thus have value , not as fragments of literary science , but as fragments of Addison , of Jeffrey , of Macaulay . Nor is the bearing of ...
... whole , but in their flashing the subjectivity of a writer on to a variety of isolated topics ; they thus have value , not as fragments of literary science , but as fragments of Addison , of Jeffrey , of Macaulay . Nor is the bearing of ...
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多く使われている語句
analysis Antonio appears Ariel Armado artistic Banquo Bassanio becomes Ben Jonson blank verse Brutus Brutus's Caliban Caskets Story Cassio central idea centre CHAP character climax complexity Complication conception crime Desdemona Destiny distinct dramatic dramatist effect elements emotional enchantment Enveloping Action euphuism evil fall fate fool force give Gloucester Goneril human humour Iago incidents inductive criticism interest intrigue Irony Jaques Jessica Julius Cæsar justice King Lady Macbeth Lear literary literature Love's Labour's Lost Macduff madness main plot ment Merchant of Venice mind modern moral Motion Motive movement murder nature oracle Oracular Action Othello passion personages play Poetic Justice Portia present Prospero purpose recognised retribution Richard Richard III rise Rosalind scene seen sense Shakespeare Shylock side spirit stage Sub-Action suggests supernatural sympathy Tempest thee things thou thought tion tone tragedy train treatment turning-point Underplot unity verse villainy whole words
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305 ページ - I have neither the scholar's melancholy, which is emulation ; nor the musician's which is fantastical ; nor the courtier's, which is proud ; nor the soldier's, which is ambitious ; nor the lawyer's, which is politic ; nor the lady's, which is nice ; nor the lover's, which is all these...
176 ページ - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
175 ページ - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him : but, as he was ambitious, I slew him.
163 ページ - Infirm of purpose! Give me the daggers: the sleeping and the dead Are but as pictures: 'tis the eye of childhood That fears a painted devil. If he do bleed, I'll gild the faces of the grooms withal, For it must seem their guilt.
278 ページ - O, it is monstrous ! monstrous ! Methought the billows spoke, and told me of it ; The winds did sing it to me ; and the thunder, That deep and dreadful organ-pipe, pronounced The name of Prosper ; it did bass my trespass. Therefore my son i' the ooze is bedded ; and I'll seek him deeper than e'er plummet sounded, And with him there lie mudded.
152 ページ - He's here in double trust; First, as I am his kinsman and his subject Strong both against the deed; then, as his host, Who should against his murderer shut the door, Not bear the knife myself.
190 ページ - Why should that name be sounded more than yours ? Write them together, yours is as fair a name; Sound them, it doth become the mouth as well; Weigh them, it is as heavy; conjure with 'em, Brutus will start a spirit as soon as Caesar.
190 ページ - If Caesar carelessly but nod on him. He had a fever when he was in Spain, And, when the fit was on him, I did mark How he did shake, — 'tis true, this God did shake.
138 ページ - Why do the heathen rage, and the people imagine a vain thing? The kings of the earth set themselves, and the rulers take counsel together, against the Lord, and against his Anointed, saying, Let us break their bands asunder, and cast away their cords from us.
157 ページ - I have given suck, and know How tender 'tis to love the babe that milks me : I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this.