Some Textual Difficulties in ShakespeareYale University Press, 1914 - 251 ページ |
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... Measure for Measure 26 · THE BODY IS WITH THE KING , BUT THE KING IS NOT WITH THE BODY Hamlet · GRATES ME . THE SUM Antony and Cleopatra . I SEE THAT MEN MAKE ROPES IN SUCH A SCAR All's Well that Ends Well ARMADO O ' THE ONE SIDE Love's ...
... Measure for Measure 26 · THE BODY IS WITH THE KING , BUT THE KING IS NOT WITH THE BODY Hamlet · GRATES ME . THE SUM Antony and Cleopatra . I SEE THAT MEN MAKE ROPES IN SUCH A SCAR All's Well that Ends Well ARMADO O ' THE ONE SIDE Love's ...
17 ページ
... the words do not smoothly fill out the regular pentameter measure that Shakespeare was supposed to write in ; and the obolus is placed before " round world . " Clark and Wright , our modern stand- SOME TEXTUAL DIFFICULTIES IN SHAKESPEARE ...
... the words do not smoothly fill out the regular pentameter measure that Shakespeare was supposed to write in ; and the obolus is placed before " round world . " Clark and Wright , our modern stand- SOME TEXTUAL DIFFICULTIES IN SHAKESPEARE ...
18 ページ
... measure . When an editor has no ear for dramatic poetry he naturally fails in all such places . Then we have the text altered according to his idea , or else it is queried as being the mis- take of an early type - setter . Fifth ...
... measure . When an editor has no ear for dramatic poetry he naturally fails in all such places . Then we have the text altered according to his idea , or else it is queried as being the mis- take of an early type - setter . Fifth ...
26 ページ
... ( Measure for Measure , i , 1 , 8 , Modern editions ) Then no more remains But that , to your sufficiency , as your worth is able And let them work . ( First Folio , 1623 ) THE vacancy indicated by the row of dots does ... Measure for Measure.
... ( Measure for Measure , i , 1 , 8 , Modern editions ) Then no more remains But that , to your sufficiency , as your worth is able And let them work . ( First Folio , 1623 ) THE vacancy indicated by the row of dots does ... Measure for Measure.
27 ページ
... Measure for Measure ' is a play which deals with the nature of govern- ment . Being a product of Shakespeare's riper years , it has behind it much deep and thor- oughgoing thought upon the problems which confront society as a whole . In ...
... Measure for Measure ' is a play which deals with the nature of govern- ment . Being a product of Shakespeare's riper years , it has behind it much deep and thor- oughgoing thought upon the problems which confront society as a whole . In ...
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多く使われている語句
allusion Archbishop audience Bardolph Bassanio Belarius brother Capulet carbonadoed cause on foot character Cloten Clown co-join Comedy of Errors conjecture considered Costard credent critics crux death devil's knight doubt ducats emendation emotion expression fact Falstaff fear feeling Folio Furness give Globe editors grace Gratiano Guiderius Hamlet Hanmer Hastings hath Henry Hermione hope human nature idea insight king knight Laertes Lafeu Lear Leontes live lonius look lord Lord Bardolph love Ophelia Love's Labour's Lost Mamillius meaning ment mental mind modern editions mystery Neilson Nerissa obolus Ophelia outfaced pain passage plain play point of view Polonius Pompey Portia present quality punctuation question reader reading reason refer regard reply Samuel Johnson scene Scroop sense sentence Shake Shakespeare shows simply smiles soul speak speare stand statement thee thing thou thought tion understand whole wish Woo't words wrangle
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207 ページ - What a piece of work is a man! How noble in reason! how infinite in faculties! in form, and moving, how express and admirable! in action, how like an angel! in apprehension, how like a god! the beauty of the world! the paragon of animals ! And yet, to me, what is this quintessence of dust?
243 ページ - Twixt the turtle and his queen: But in them it were a wonder. So between them love did shine, That the turtle saw his right Flaming in the phoenix' sight; Either was the other's mine.
206 ページ - I have of late — but wherefore I know not — lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory...
207 ページ - In form and moving how express and admirable ! In action how like an angel! In apprehension how like a god! The beauty of the world! The paragon of animals! And yet, to me, what is this quintessence of dust? Man delights not me, — no, nor woman neither, though by your smiling you seem to say so.
75 ページ - tis done, then 'twere well It were done quickly: If the assassination Could trammel up the consequence, and catch, 'With his surcease, success ; that but this blow Might be the be-all and the end-all here. But here, upon this bank and shoal of time, — We'd jump the life to come...
203 ページ - A damn'd defeat was made. Am I a coward? Who calls me villain? breaks my pate across? Plucks off my beard and blows it in my face? Tweaks me by the nose? gives me the lie i' the throat, As deep as to the lungs?
123 ページ - We go to gain a little patch of ground That hath in it no profit but the name.
1 ページ - That runaway's eyes may wink, and Romeo Leap to these arms, untalk'd of and unseen! Lovers can see to do their amorous rites By their own beauties; or, if love be blind...
76 ページ - Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind. I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other.
206 ページ - I have of late, but wherefore I know not, lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appeareth nothing to me but a foul and pestilent congregation of vapours.