Shakespeare's Political Animal: Schema and Schemata in the CanonUniversity of Delaware Press, 1990 - 164 ページ A brief and readable account of a major Renaissance idea, this book argues that throughout his career as a poet and playwright, Shakespeare consistently presents an image of human politics so idiosyncratic it could serve as his signature. |
この書籍内から
検索結果1-3 / 22
13 ページ
... notably in the texts of King Lear , as Annabel Patterson and Richard Strier have shown.13 I argue , however , that Shakespeare's theory of political behavior , ex- ploded or not , even in King Lear , remains remarkably free of the signs ...
... notably in the texts of King Lear , as Annabel Patterson and Richard Strier have shown.13 I argue , however , that Shakespeare's theory of political behavior , ex- ploded or not , even in King Lear , remains remarkably free of the signs ...
14 ページ
Schema and Schemata in the Canon Alan Hager. notably in his relationship to his competing masters of the stage - Kyd ... notable in his late plays but seen throughout his opus - but also his position or place as the protec- tor of ...
Schema and Schemata in the Canon Alan Hager. notably in his relationship to his competing masters of the stage - Kyd ... notable in his late plays but seen throughout his opus - but also his position or place as the protec- tor of ...
106 ページ
... notably friends , must die in their plans . Crimes without external punish- ment are strictly accounted for internally . For example , in Mac- beth , even if Duncan is bleeding Scotland to death with his mercy and " meekness , " thereby ...
... notably friends , must die in their plans . Crimes without external punish- ment are strictly accounted for internally . For example , in Mac- beth , even if Duncan is bleeding Scotland to death with his mercy and " meekness , " thereby ...
目次
Preface | 9 |
Acknowledgments | 15 |
The Concept of the Machiavellian Ruler of Sonnet 94 | 21 |
著作権 | |
他の 11 セクションは表示されていません
多く使われている語句
action animal apparently argue audience become blood Brutus Brutus's calls Cassius cause chapter citizens civil close comedy comes comic concept conscience course creates criticism death deception developed Drama Duke early Edited effect elements Elizabethan English example face fact feel final follows freedom Greek hand head Henry honor human ideal identity internal Italy John Jonson Julius Caesar King leads leveling live London look Lord Macbeth means moral move murder nature never Night notably one's opening pastoral perhaps picture play plot poet poetic points political Press problem Prospero reference reflect remains remark René Girard ritual Roman rule ruler savage says scene seems sense Shake Shakespeare Sicily social society soliloquy soul speak speech stage Studies subjects suggests things thou thought tion Tragedy true Ulysses University University Press victim violence York