Shakespeare's Political Animal: Schema and Schemata in the CanonUniversity of Delaware Press, 1990 - 164 ページ A brief and readable account of a major Renaissance idea, this book argues that throughout his career as a poet and playwright, Shakespeare consistently presents an image of human politics so idiosyncratic it could serve as his signature. |
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33 ページ
... opening of the English Renaissance inside the Court of Henry VIII . And the most powerful argument against falsehood of any sort is contained in Milton's lonely picture of Satan after the close of the Interregnum . Shakespeare did not ...
... opening of the English Renaissance inside the Court of Henry VIII . And the most powerful argument against falsehood of any sort is contained in Milton's lonely picture of Satan after the close of the Interregnum . Shakespeare did not ...
53 ページ
... opening of the second act , when Brutus asks Lucius if he knows by sight the men with Cassius at the door , the boy re- sponds emphatically , No , Sir . Their hats are plucked about their ears And half their faces buried in their cloaks ...
... opening of the second act , when Brutus asks Lucius if he knows by sight the men with Cassius at the door , the boy re- sponds emphatically , No , Sir . Their hats are plucked about their ears And half their faces buried in their cloaks ...
76 ページ
... opening night , competition between the two friends — even public quarrels - proved inevitable , in part , for ideological rea- sons laid out in the Prologue Jonson attached to the 1616 Folio edition of that work . Jonson , an unequaled ...
... opening night , competition between the two friends — even public quarrels - proved inevitable , in part , for ideological rea- sons laid out in the Prologue Jonson attached to the 1616 Folio edition of that work . Jonson , an unequaled ...
目次
Preface | 9 |
Acknowledgments | 15 |
The Concept of the Machiavellian Ruler of Sonnet 94 | 21 |
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